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womantoday · 3 months ago

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Ruby Falls {January 16, 1946 - June 15, 1986}

Ruby Falls has been the most successful black woman country performer to date, with her mellifluous voice taking her to the Billboard country singles chart nine times between 1974 and 1979. Her biggest hits were “You’ve Got To Mend This Heartache,” which peaked at number 40 in 1977 and “I’m Getting’ Into Your Love,” which peaked at number 56 in 1979. Falls was also nominated as country music’s Most Promising Female Vocalist in 1975 by country industry trade media. She recorded on the 50 States Records label and also found success in her stage shows. In the late 1970’s, she was touring through the Atlas Artists Bureau with Grand Ole Opry star Justin Tubb. She also performed with such country greats as Faron Young, Jeanne Pruett, Del Reeves, Narvel Felts, and Dave & Sugar. She additionally got significant Nashville area and national promotion on such television programs as the Ralph Emery Show, Nashville Today, Good Ol’ Nashville Music and Music Hall America.

When Falls died in Nashville at the young age of 40 of a brain hemorrhage in June 1986, she was touted by the media along with Linda Martell for becoming one of the first black women to find significant success in country music. In a brief retrospective nine years after her death, Nashville’s major daily newspaper, The Tennessean, proclaimed, “Along with other successful black artists of the period, such as Charley Pride and Stoney Edwards, she helped illuminate the black community’s long history of artistic contributions to the country.” Tubb told the media after her death that “She was the one of the best friends I ever had. Ruby Falls made everybody feel good that she was around.”

Born as Bertha Frances Bearden (married: Dorsey) in January 1946, on a farm near Jackson, Tennessee, Falls spent her early years primarily picking cotton, tomatoes and strawberries. She dreaded her days in the field at the hand of a strict grandmother, who was her guardian. For refuge, she listened to the radio a lot at night, particularly to country music heard frequently on station KLAC out of Gallatin, Tennessee. The sounds she heard prompted her to dream of a singing career. She began that career singing in churches, in schools on talent shows and at local social events as a teenager.

After high school she moved to Milwaukee, Wisconsin, took voice, dance and charm lessons, and turned professional in early 1960’s by becoming lead singer with the group Harvey Scales and the Seven Sounds. The group travelled all over the country and performed country, pop, and rock in such places as Las Vegas and New York supper clubs. Then she joined a rock and jazz band whose club dates were typically closer to home. Then she decided to concentrate on the music she enjoyed most and moved to Nashville. There she was discovered by Johnny Howard, who signed her to 50 States in 1974.

She took the name Ruby Falls from one of Tennessee’s natural treasures- a cavern that is 1,100 feet below the surface of Lookout Mountain in Chattanooga, is the deepest cavern in the United States and boasts the highest underground waterfall open to the public. “It’s like a dream come true,” she says in a publicity brief, about her success as Ruby Falls. “I get to thinking about everything good that’s happened to me since I moved to Nashville and sometimes I get so excited I feel I sing in my sleep every night.” Of her move to Nashville to concentrate on both singing and writing country, she adds, “It made sense. There’s a lot of country girl left in me and I guess it shows in my music like it does in my talking…I love music and I love people, so my main goal is making music that people will love. I want to do my very best all the time so people will love me.”

After pounding the Nashville pavement and landing a recording contract, Falls found that having records out in the public and getting touring dates was not enough to bring her what she wanted. She wanted more. She wanted to catapult her career to the next level. A grand opportunity to just that came to her in 1976 when she won a slot to perform before thousands of country radio on-air personalities and executives from around the country. Gathered in Nashville for their annual industry convention known as the Country Radio Seminar, these are the people who somehow had to become attracted to Falls and be part of an overall effort to promote her and her music if she were to become a true star. But the opportunity didn’t open the doors she had expected, and by the time of her death she was disgruntled at not having done better in her career and had taken a traditional job at a computer firm.

Falls did not blame people’s reaction to her race for her not reaching the heights she had dreamed of, and she had earlier vowed to keep trying to reach her career goals in every way she could think of. “Everybody’s been real nice to me,” she said in a September 1977 Essence magazine article. “I’ve never had negative incidents on the road. If I did, I wouldn’t pay them any mind…I want to be a star. No one ever told me that it was gonna be easy. I’m gonna hang on in there for as long as it takes to make it.”

articles: Hillbilly Music Jet Billboard The Black Women Of Country Music That Nashville Sound

Youtube: Sweet Country Music {1975} He Loves Me All To Pieces {1975} Let's Spend Summer In The Country {1975} Show Me Where {1976} Somewhere There’s A Rainbow Over Texas {1976} Beware Of The Woman (Before She Gets To Your Man) {1976} You’ve Got To Mend This Heartache {1977} Do The Buck Dance {1977} Three Nights A Week {1978} If That’s Not Loving You (You Can’t Say I Didn’t Try) {1978} I’m Gettin’ Into Your Love {1979}

Stella Parton Remembers Singer Ruby Falls {2022}

Country Music Time #767: interview {1982}

#Ruby Falls #music #country music #country #records #1970s #Black history #herstory #Waylon Jennings

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debbiedeane · 2 years ago

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Website: https://www.debbiedeane.com/

Address: Brooklyn, New York, USA

Debbie Deane hails from a musical world without boundaries, where singer-songwriters and top-tier jazz musicians breathe the same creative air. Born and raised in Brooklyn, Debbie grew up listening to Carole King, Stevie Wonder, Joni Mitchell, and Steely Dan. As a teenager she explored the fertile ground of the Great American Songbook. Introduced to folk, funk and fusion by her older brother, she studied the great divas of the jazz and pop worlds developing an intense interest in jazz harmony. Music was the ultimate refuge.

After earning a degree in English Literature from Harvard, Debbie embarked on a career in music. She studied jazz intensively at Boston’s Berklee College of Music, honing the piano skills that she continues to display as a singer-songwriter. At first her songwriting and singing came as an afterthought, but then took center stage.

In her performing and recording life, Debbie had the good fortune to work with acclaimed jazz musicians who share her interest in quality songwriting — people like drummer Brian Blade and the late, great bass player Jeff Andrews. Moving back to Brooklyn, she lived in a ""jazz den"" with some of the city’s most promising jazz musicians, including saxophonists Seamus Blake and Terry Deane, drummer Marc Miralta and pianists John Stetch and George Colligan. ""Everyone came through our place,"" says Debbie. ""The people I’ve played with, they’re all my friends and they’ve known me, they’ve been my roommates and people I went to school with."" Their presence on Debbie’s recordings and at her live shows is a powerful endorsement.

Debbie continues to gig extensively in New York and beyond.

Piano Lessons:

Debbie Deane has been a piano teacher for over 20 years. She teaches out of her home in Windsor Terrace, Brooklyn, specializing in kids ages 6 and up.

She teaches the fundamentals and basics - scales, reading music, music theory, and playing by ear. Her students play a lot of songs. Each student is different, and she tailors lessons accordingly. As a result, she teaches all styles of music. She does have a soft spot for Bach and Beethoven, so everyone has to try classical, which is great for technique.

Facebook: https://www.facebook.com/DebbieDeaneMusic

Instagram: https://www.instagram.com/debbiedeanemusic/

Youtube: https://www.youtube.com/@debbiedeane8771/

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tonalartmusic · 4 days ago

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Where Can I Find Guitar Classes Near Me?

When you search for ÒGuitar Classes Near Me,Ó youÕre seeking not only convenience but also quality instruction tailored to your unique musical goals. Located in Jersey City, Tonal Art Music Center provides expert guitar lessons for beginners and advanced players alike, helping each student master the art of guitar in a supportive and professional environment.

A Customized Learning Experience

The guitar curriculum at Tonal Art Music Center is designed to adapt to each studentÕs individual skill level and interests. Whether youÕre interested in rock, jazz, classical, or pop, our skilled instructors offer comprehensive lessons that cover everything from fundamental chords to advanced techniques. Classes are structured to ensure steady progress, with a balance of music theory, practical skills, and improvisation, ensuring students develop a strong musical foundation.

Experienced and Passionate Guitar Instructors

The guitar instructors at Tonal Art are seasoned professionals and active musicians with years of teaching experience. They bring a wealth of knowledge to each lesson, breaking down complex techniques and ensuring that students grasp each concept before moving forward. Their passion for music shines through, fostering a positive and encouraging learning atmosphere.

Flexible Scheduling and Accessible Location

Finding ÒGuitar Classes Near MeÓ that fit your schedule is easy at Tonal Art Music Center, thanks to flexible lesson timings that cater to students of all ages. Our location in Jersey City is conveniently accessible, making it easy for students from surrounding areas to attend lessons without hassle. We also offer a free trial class for new students, allowing them to experience the quality of our instruction firsthand.

Why Choose Tonal Art Music Center for Guitar Lessons?

With a focus on both practical skills and music theory, Tonal Art Music CenterÕs guitar classes are ideal for students who are serious about honing their craft. Our small class sizes and one-on-one sessions provide personalized attention that accelerates learning and builds confidence. Additionally, students have opportunities to perform in recitals, allowing them to showcase their progress and gain valuable performance experience.

Singing Classes Near Me: Find Your Voice with Professional Singing Lessons

When searching for ÒSinging Classes Near Me,Ó youÕre likely looking for a program that offers personalized guidance to unlock your vocal potential. At Tonal Art Music Center, our singing lessons are designed for students of all levels, from those just discovering their voice to seasoned singers looking to refine their technique.

Vocal Training for All Skill Levels

Our singing classes focus on foundational vocal techniques, including breath control, pitch accuracy, range expansion, and diction. For advanced singers, we delve into more sophisticated aspects of vocal performance, such as stage presence, musical interpretation, and emotional expression. By working with studentsÕ natural strengths and unique qualities, our instructors help develop a well-rounded vocal style that feels authentic.

Highly Qualified Voice Instructors

Our voice instructors are not only experienced vocal coaches but also accomplished performers who bring real-world insights into their teaching. They understand the intricacies of vocal production and work closely with students to ensure steady improvement. Their approach is both professional and friendly, creating a welcoming environment where students feel comfortable exploring and expanding their vocal range.

Building Confidence Through Performance

At Tonal Art Music Center, we believe that singing is not just about technique; itÕs also about expression and confidence. Our singing students have opportunities to participate in recitals and events, giving them a chance to build stage presence and experience the joy of performing in front of an audience. This performance aspect of our program helps singers gain poise and self-assurance, essential skills for any aspiring vocalist.

Convenient Location and Flexible Class Options

Conveniently located in Jersey City, Tonal Art Music Center is accessible for anyone searching for ÒSinging Classes Near Me.Ó We offer flexible scheduling options to accommodate studentsÕ busy lives, and our lessons are structured to suit each studentÕs pace and goals. Whether youÕre preparing for a performance or simply looking to enjoy singing as a hobby, we provide the guidance and resources to help you succeed.

Why Choose Tonal Art Music Center for Guitar and Singing Classes?

Individualized Attention

We understand that each student has unique learning needs. Our guitar and singing classes are tailored to provide individualized instruction, ensuring that students progress at their own pace and receive the attention they need to succeed.

Diverse Musical Curriculum

Our curriculum covers a wide range of musical genres and styles, allowing students to explore different types of music and discover their own preferences. This diversity keeps the learning experience fresh and engaging, fostering a lifelong love for music.

Experienced Instructors

Our instructors are professionals who are not only skilled musicians but also passionate educators. Their dedication to their craft inspires students to push their limits and achieve their musical goals.

Performance Opportunities

We offer students the chance to perform in recitals and other events, providing valuable experience that builds confidence and stage presence. These performances are a fantastic way for students to share their progress with family and friends and gain feedback in a supportive setting.

Accessible and Welcoming Environment

At Tonal Art Music Center, weÕre committed to making music education accessible to everyone. Our welcoming environment ensures that students of all ages and backgrounds feel comfortable as they embark on their musical journey.

Free Trial Lessons

We offer free trial lessons for new students, allowing them to experience our teaching methods and meet our instructors before committing to regular classes. This gives prospective students a clear idea of what to expect and helps them feel confident in their decision to join us.

What to Expect in Your First Guitar or Singing Class

Personalized Assessment

In the first lesson, the instructor will conduct a personalized assessment to understand your current skill level, musical interests, and goals. This allows them to create a customized learning plan tailored to your needs.

Learning the Basics

Beginners will start with foundational exercises that build essential skills. Guitar students might focus on simple chords and rhythm, while vocal students begin with breath control and vocal warm-ups. The goal is to establish a strong base that students can build upon in future lessons.

Setting Achievable Goals

Setting realistic goals is an important part of the learning process. Our instructors work with students to set short-term and long-term goals, whether itÕs learning a favorite song on the guitar or performing a song confidently in front of an audience.

Regular Feedback and Encouragement

At Tonal Art Music Center, we believe in the power of positive reinforcement. Our instructors provide regular feedback to help students improve while celebrating their progress along the way. This approach keeps students motivated and engaged, fostering a love for learning and a sense of accomplishment.

The Benefits of Learning Music at Tonal Art Music Center

Learning music has benefits that extend beyond the classroom. Guitar and singing lessons improve discipline, patience, and perseverance, traits that can positively impact all areas of life. Additionally, music lessons provide a creative outlet that helps students relax, express themselves, and connect with others.

Developing Cognitive Skills

Studies have shown that music education enhances cognitive abilities such as memory, problem-solving, and spatial-temporal skills. By learning guitar or voice techniques, students engage multiple areas of the brain, fostering mental agility and enhancing focus.

Boosting Emotional Well-being

Music has a unique ability to soothe and uplift the spirit. Singing and playing guitar are particularly effective at relieving stress, building confidence, and providing an emotional release. Through consistent practice, students can develop a healthy outlet for self-expression and emotional growth.

Building Social Connections

At Tonal Art Music Center, students become part of a vibrant community of musicians. The camaraderie built through group lessons, recitals, and events helps students form lasting friendships and gain a sense of belonging. This supportive network makes the learning process enjoyable and enriching.

Get Started with Guitar and Singing Classes Near You at Tonal Art Music Center

If youÕre looking for high-quality ÒGuitar Classes Near MeÓ or ÒSinging Classes Near Me,Ó Tonal Art Music Center is the perfect place to start. With experienced instructors, a welcoming environment, and a curriculum that fosters both technical skills and artistic growth, our music center is dedicated to helping you achieve your musical dreams.

Whether youÕre a beginner looking to try out an instrument or an advanced musician seeking to refine your skills, we offer the resources, guidance, and encouragement to make your journey rewarding and enjoyable. Contact us today to schedule your free trial lesson and embark on an exciting musical adventure with Tonal Art Music Center.

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academiesofmusic · 9 months ago

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Vocal Mastery: Vocals Lessons Near Me with Expert Instructors

Vocals lessons near you open the door to a transformative journey of self-discovery, musical expression, and vocal mastery. Whether you're a beginner eager to explore the intricacies of your voice or an experienced vocalist seeking to refine your technique, the availability of vocals lessons in your local area provides an invaluable opportunity to unlock the full potential of your voice.

One of the primary benefits of seeking vocals lessons near me is the personalized guidance you receive from experienced voice instructors. These instructors bring a wealth of knowledge, technical expertise, and a passion for nurturing vocal talent. They understand the nuances of vocal production, breath control, pitch modulation, and the various styles of singing, tailoring their instruction to meet the unique needs and goals of each individual student.

Vocals lessons cater to a wide spectrum of learners, from beginners looking to establish a strong foundation to advanced students aiming to polish their skills. For those taking their initial steps into the world of singing, introductory vocals lessons provide a comprehensive understanding of basic vocal techniques, including proper breathing, posture, and vocal warm-ups. As students progress, the lessons become more nuanced, covering advanced topics such as vocal dynamics, range expansion, and the interpretation of different musical genres.

Local vocals lessons offer a sense of community and connection. Being physically close to your vocal instructor fosters a supportive learning environment where you can receive immediate feedback, ask questions, and engage in real-time discussions about your progress. This proximity also allows for a more personalized approach, where your instructor can observe your unique vocal qualities and tailor lessons accordingly.

Vocals lessons near you often encompass a diverse range of singing styles. Whether you're interested in classical, pop, jazz, rock, or any other genre, local instructors can guide you in developing the techniques specific to your chosen style. This versatility allows you to explore the richness of your voice across various musical landscapes, expanding your vocal repertoire and versatility.

For individuals seeking vocals lessons for children, local instructors are well-equipped to provide a nurturing and age-appropriate learning environment. Singing classes for kids often incorporate playful and interactive methods, making the learning experience enjoyable while instilling essential vocal fundamentals. Early exposure to vocals lessons can cultivate a lifelong love for music and singing.

The convenience of vocals lessons near you also plays a crucial role in fostering consistency and commitment. Proximity eliminates the barriers associated with long commutes, making it easier to attend lessons regularly. This consistency is vital for vocal development, as regular practice and guidance contribute significantly to improvement and mastery.

Many vocal instructors also offer the flexibility of online lessons, providing an additional layer of convenience. Online vocals lessons enable students to engage with instructors from the comfort of their homes, opening up opportunities for those with busy schedules or limited access to local vocal instructors. This flexibility ensures that aspiring vocalists can access quality instruction irrespective of geographical constraints.

In conclusion, vocals lessons near me offer an enriching and accessible path to vocal excellence. Whether you're a beginner, a parent exploring vocal lessons for your child, or an experienced vocalist seeking further refinement, the local availability of vocals lessons provides a supportive and personalized learning environment. Embracing the power of your voice becomes an immersive and rewarding experience with the guidance of expert instructors who are not just teaching the mechanics of singing but are dedicated to nurturing the artistry and individuality of each voice.. For more details visit our website : www.academiesofmusic.com

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musicarenagh · 11 months ago

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J.J. Chamberlain Strumming Through Life and Music With 'Tired of Christmas' Hey folks, get ready to meet J.J. Chamberlain, the musician behind the track "Tired of Christmas," a song that speaks to anyone tired of the crazy holiday commercialism. This tune is all about wanting Christmas to be more about chilling with family and friends, you know? He's all about the real stuff in life, pulling inspiration from everything around him. Growing up, music was like the soundtrack to his family life, from his dad's painting sessions accompanied by tunes to his grandpa's jazz singing during family gatherings. No fancy music school for this guy—he taught himself. J.J. Chamberlain is heavily inspired by Kurt Cobain, he picked up the guitar and never looked back. J.J.'s not just about music, He's super passionate about fairness for everyone and loves diving into some good food and coffee. He's got big plans, though. A whole album in the works and some cool collabs. J.J.'s all about connecting with fans and making tunes that really hit home. So, grab a seat, and let's dive into J.J.'s world of music, life, and everything in between. Listen to Tired Of Christmas below https://open.spotify.com/track/0DJvvf8BltQaz9BD9c5pyP Follow J.J. Chamberlain on Spotify Bandcamp What is your stage name? J.J. Chamberlain Is there a story behind your stage name? Not really, it’s my initials but when I first released Tired of Christmas, a lot of the streaming services put it out on the wrong profile as there was already an artist called John Chamberlain. There are probably still some platforms that have it out under the wrong artist, but if you see Tired of Christmas, just know that it’s MINE! Where do you find inspiration? I think the answer to that is life. There’s always something happening, I’m a really busy person, but I go through phases of prolific songwriting and it’s usually when I’m working through something. Possibly why my lyrics can be a little…emotional. What was the role of music in the early years of your life? It was everything. I remember my parents playing records while they cooked. That’s how I first discovered a lot of the music that I still listen to today. I associate Tom Waits with the smell of frying onions. He’d probably like it that way too. Are you from a musical or artistic family? Yeah, my Dad is a painter who has been quite active in recent years. He also plays guitar. My Grandfather was a singer in jazz bands and on Christmases gone by I remember the whole family singing old folk and traditional Irish songs. My brother plays bass with me in 2 bands (Box Time and Love Barons). It’s woven throughout my family, both historically and currently. Who inspired you to be a part of the music industry? I’ve always wanted to be in a band since I can remember, but never thought I’d end up being a songwriter. There are two people that continue to inspire me to write and create, neither of whom are still with us, sadly. One is my former friend and bandmate Lanfranco, I write a lot for him. There’s even a song dedicated to him that I’ll be putting out in the near future. The other is my Uncle Will, who was just the coolest musician I ever knew. There’s not much he couldn’t do. He and my Dad had me playing one-note solos in their band when I was 4 years old. How did you learn to sing/write/to play? I’m self taught. I had violin lessons as a kid and then I discovered Kurt Cobain, before long I was playing guitar every day and night. [caption id="attachment_53407" align="alignnone" width="402"] I’m self taught. I had violin lessons as a kid and then I discovered Kurt Cobain[/caption] What was the first concert that you ever went to and who did you see perform? My Dad was in a band called The Expanding Wallets and I’m pretty sure I was at his gigs before I was even born. My parents used to take me to festivals as a child. When I was a teenager, my first big concert was seeing The Rolling Stones at Wembley. I’d never seen anything like it.

How could you describe your music? Bittersweet, happy-sad diary entries mostly. Sometimes I write angry songs but somehow they turn out upbeat. My lyrics often contradict the mood of the music. This is what happens if you bring your kids up on Punk-Rock, people! Describe your creative process. Depends really. In the past I used to write a guitar part first and then try to fit words and melodies to it, but recently I’ve flipped it and I’m often writing the lyrics before anything else. I don’t know why it happened but my brain decided it was a better idea and I actually think I’ve written some of my best songs since. It’s a quick way to fix a bad mood, write down your feelings about someone or something that has upset you, leave it and come back to it with new energy later on. What is your main inspiration? Hard to pinpoint, but I think it mostly comes from seeing other musicians perform live. I love watching everything from grassroots music events to big artists at the top of their game. It always makes me hungry to put stuff out there and get on a stage myself. What musician do you admire most and why? Hard to name any single musician here. I always loved Frank Zappa for having the guts to create his own label when all the majors turned him down. He was a true DIY artist. I really admire Mark Oliver Everett or ‘E’ from Eels for the same reason. The idea that everything can be done from home is inspiring. Did your style evolve since the beginning of your career? Massively. I was always the lead guitarist in other people’s projects until I formed Box Time and started writing my own songs which helped me to have the confidence to be a frontman. Who do you see as your main competitor? I don’t see other artists as competition, I think we’re all here to support each other in this game. If anything, the odds are stacked against us in terms of the way that the industry is structured. This is why we all need to help each other wherever we can. I’ve had some overwhelming support from some great artists recently and I’ll give that back however I can. What are your interests outside of music? I’m passionate about neurodiversity and equal rights. Also food, and coffee! If it wasn't a music career, what would you be doing? It would still be something in music. Maybe Film. I used to enjoy taking part in independent film projects. What is the biggest problem you have encountered in the journey of music? There are lots of little bumps in the road. I think the big problem in grassroots live music is promoters that are still operating with ticket systems that are practically pay to play. The problem lies mainly in London and major cities but the cut that bands take is so small compared to the money they earn for these promoters, and the “promotion” that takes place is often as little as a short Instagram story that lasts a day in return. If you could change one thing in the music industry, what would it be? The biggest issue at the moment is the closure of music venues. This is often down to decisions made by the government and the lack of finances. The arts aren’t taken as seriously as they should be. In the pandemic, the biggest insult to the arts was the government advising us all to “retrain.” That tells you everything you need to know about their attitude. Why did you choose this as the title of this project? I’m not a Grinch, or a Scrooge, or a Christmas curmudgeon. I’ve had a tough year in my personal life and although I can usually overlook the ever increasing prematurity of the Christmas hype, I just felt that this year I could do without it. I’m very much looking forward to Christmas itself, but I feel that we’re diluting Christmas by celebrating it too early with hyper-consumerism. What are your plans for the coming months? I’ve written a lot of songs, I’m now selecting and ordering tracks for my debut album which I plan to finish recording and mixing in 2024. There’ll be more singles too, but the album is my priority. https://open.spotify.com/artist/0DXE8u70H90Rdug8UM5rdL?si=DAEHl2MjR_GwiAEz576nSg

Do you have any artistic collaboration plans Yes actually, as I mentioned I play in two active bands separately, but there’s another exciting new project on the way in the coming year. I’ll reveal more on my socials so keep an eye out! What message would you like to give to your fans? Just how grateful I am to anyone who has listened to my song and especially anyone who has decided to revisit it for more. I’ve always felt musically capable, but I never felt capable of writing and recording music that I felt ready to release, until now. To know that there are people out there who genuinely liked my music is an amazing feeling.

#Interviews #J.J.CHAMBERLAIN #J.J.CHAMBERLAINdropsTiredofChristmas #J.J.CHAMBERLAINoutwithTiredofChristmas #J.J.CHAMBERLAINreleasesTiredofChristmas #J.J.CHAMBERLAINTiredofChristmas #J.J.CHAMBERLAINwithTiredofChristmas #TiredofChristmas #TiredofChristmasbyJ.J.CHAMBERLAIN #TiredofChristmasfromJ.J.CHAMBERLAIN #TiredofChristmasJ.J.CHAMBERLAIN

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thevirgodoll · 4 years ago

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hi! i was wondering if you have any tips to stay organized and stay on task? i’ve been doing a short online course this year and have really struggled to ACTUALLY bring myself to do the work, as assignments and lessons are not under any time constraints i just don’t do it. i also have adhd so get bored or distracted easily. do you have any tips for me?

This is really close to me because I also have ADHD. I have both inattentive and hyperactive type. *As a result, this academic tip guide will be a guide for people with ADHD and not neurotypical people, without disability. There is a difference.*

I am doing online as well this semester.

1. I create a schedule. If I do not create a schedule, I will be unproductive the entire day. So, what will help you is to do things in orderly fashion.

For example, at 12p - I will do this assignment/watch this lecture. You have to dictate what time you’re doing everything. Then, you also have to block out technology distractions while you are working.

-> Even if you’ve gotten halfway through the day with no schedule, write down or block off times on your digital calendar for what you are going to do at each time. ADHD is easier to tackle if you break things down into smaller tasks.

*Pro tip that I almost forgot: before you do anything, wear your day clothes. Don’t wear pajamas. Actually getting dressed or even doing hair/makeup changes things.

2. Download the Forest app after you have created your schedule. I consistently recommend this because it works in increasing productivity. It allows you to set it for however long you’re doing this task, say 30 minutes.

-> Why?: It will block all apps on your phone for (insert time here) to plant a tree, and if you leave the app your “tree” will die. Eventually, the more sessions you do, the more points you will gain to plant different plants, and eventually plant real trees around the world.

3. Have a list (& a planner) as well. Not only is the schedule creating structure, but the list creates even more structure so you know what you need to get done for the day. It also helps you not fall victim to the classic symptom of forgetting. Each day, you should write down what you WANT to get done and create your own times to look at lecture and assignments. Have goals for the day.

For example: complete assignment 2.

If you do not have expectations with yourself before the day begins, your ADHD will kind of take over and do something else. I have structure to my day. I set a timer to wake up at the same time. I take my ADHD medicine 90 minutes before my final wake up time, and I do my morning routine once it kicks in. Having the same routine helps.

-> Focus on your goals. Don’t be super harsh about the times.

-> Don’t overwhelm with how many things on to do list. Again, break it up into small tasks. For example, one part being: Wash dishes or fold laundry. It makes it less overwhelming to your brain and gives you a choice of which task. Typical non ADHD people just tell you to prioritize tasks but that doesn’t work for us. Do it in a random order and it gets the job done.

4. TAKE BREAKS! The other side to this is making sure that you give yourself adequate breaks.

*For hyperfocus, wait til your hyperfocus has started to wear off. Use it to your advantage for peak productivity. It is no joke.*

-> The misconception is that some people with ADHD are lazy and as a result, some ADHDers won’t take breaks. You can take a break. Healthy, long breaks do more for you long term.

-> Have a timer set. For example, after a 45 minute session or an hour session, I will take a break to do another task that has nothing to do with studying, like laundry, eating a snack, or stretching. Then after that task is done, I will go back to studying.

5. Have a workspace. Only do work at this space. I do schoolwork at my living room table and it is perfect. I do not study in my room because that is my sanctuary for relaxation and rest, not productivity. Make an effort to make the workspace clean, with your supplies - laptop, notebooks, pens, etc - readily available.

-> Once I get to my workspace, everything for the morning is already done. I’ve done my morning routine, so all there is left to do is hydrate while I study.

6. Recognize if you have adequate energy to do the task. Sometimes, with ADHD you may neglect your needs. If you are not getting enough rest, here are some tips:

•Bed should be for rest only.

•Blackout curtains

•Lavender essential oil, I have a diffuser but you can also put it on your pillow

•Background noise: pick what you want, lo fi music, rain sounds, binaural beats, singing bowls

•If all else fails, ADHD is often comorbid with other illnesses, meaning you could have a form of depression causing insomnia for example. This should be considered if you are having long term issues and symptoms.

7. Don’t overdo it. We are not neurotypical. Executive dysfunction is real - meaning our brains actually shut down when it perceives a task to be mundane.

-> You do not have to fit everything into one schedule for the sake of being “productive”. Each day should be what you know you can do, and there are different days to tackle different goals.

-> When you feel like you cannot continue, which is literally a symptom of ADHD, sit still for a few minutes.

8. Have a “What I Did Today” List. Because of how ADHD actually makes us feel, we don’t realize how much work we have put in. ADHD actually can be explained easily, we have about 2 dopamine workers showing up to work while most people are at maximum capacity. We are working overtime to do our best, even on medicine. So, acknowledging what we did today is good and encouraging, or at least reflecting in a journal.

9. Play music. It’s recommended to play study music without words because with ADHD we will submerge ourselves into the playlist of nostalgic 90s R&B. I recommend lo fi hip hop on YouTube, video game instrumentals, classical music, or jazz instrumentals. Whatever gets you going just do it!

General ADHD tips:

•Rewrite lecture notes and type the lecture notes.

•Color code with bright colors and pretty drawings or calligraphy

•Instead of telling yourself “I need to take notes” which usually leads to procrastination say “Rewrite lecture notes and emphasize main points” ... this is useful in your to do list but in everyday goals

•Generally try to get your assignments done ahead of time if there is structure to certain courses, if not, again, stick to the schedule. If you slip one day off your schedule then don’t beat yourself up. Breathe!!!

•Side effect of most ADHD meds is that you’re not hungry so buy easy things to eat like muscle milk or yogurt and granola or smoothies so you can sustain yourself

•Get a dry erase board to show what you need to do for the day and put it on the fridge with command strips

•To avoid forgetting things, put them at a table near the door where you leave your apartment/dorm/house.

•Don’t overthink the time it takes to get ready, often that’s why ADHDers are late. Better to be super early than late though - have a routine set so you know how long each task takes - for example “I know a shower takes me 15 mins, washing my face takes 60 seconds and a few more including sunscreen/moisturizer, etc...”

•In that same grain, set timers for going to the bathroom, showering, etc just in case you one day hyperfocus and push yourself too far

•Open the blinds!!!!

•Clean your room and tidy up your space. A cluttered space impacts your mental health in a really negative way. Your space reflects your mental state at times as well, so check in with yourself. Have a specific day where you know you’re going to clean, but ADHD sometimes gives us bursts of cleaning so take advantage of that as well.

•Anytime your water bottle empties refill it. Have your water bottle or mason jar next to your workspace, and drink 5-10 gulps. Seriously. ADHD depends a lot on hydration, especially if you are on medicine which naturally dehydrates you. If you do not stay hydrated, you’ll get that massive headache mid day and crash sooner. A lot of times, lack of productivity can be due to not drinking enough water.

•If you don’t take medication, then sometimes you may notice you love coffee, and that’s because it’s a stimulant. Too much of anything is not good, but balance it with water. If you’re going to use coffee to kinda “medicate” then do it close to when you’re going to be productive.

•Setting yourself up to do a task rather than envisioning the overwhelming act of doing the entire action. “Okay, lets just get up and get the first step down, such as opening the laptop or wetting the toothbrush.” Baby steps.

•Take advantage of accommodations! Your college more than likely has an Office of Disability Services. Also, email your professors...they’re actually just as stressed as you about classes being online.

•Remember that you’re already trying as hard as you can, so don’t listen to the narrative of “try harder”, “you’re *r word*”, “you’re cheating by using medication”, “just do it,” “it’s easy,” “what’s so hard about it?” or “you’re lazy”. Anyone telling you that, even yourself, is wrong. And DO NOT allow anyone to be ableist, even yourself.

•Validate yourself. Don’t let anyone to do the “I experience that too”/“I know what you mean”/“we ALL have trouble with this!” and they don’t have ADHD. No. It’s our experience, it’s valid, and unlike anything on the planet. If you’re reading this and you don’t have ADHD - no, you do not experience any of the things in my next bullet point.

•Don’t be hard on yourself if you stumble along the way getting this right. ADHD completely changes your executive functioning.

We see the task, but our brain blocks it.

We have something marked down as “important” but our brain tosses it out in the “trash”.

We watch an entire episode of a show, but our brain ignored the entire thing. Our brain picks and chooses what is stimulating, our brain changes our interests.

We have sensory overload, we have no dopamine, we have bursts of curiosity that cannot be contained (often inconvenient) and if interrupted, our brains cannot take it.

People often discount how many things ADHD actually changes because it’s widely misunderstood. I want to take the time to acknowledge that ADHD, formerly known as simply ADD, has different types: primarily inattentive, primarily hyperactive-impulsive, or combined which is what I have. So it’s not “hyper” and “relatable”. It is also not a buzzword to use to describe things. I must put stereotypes and misrepresentations of ADHD to rest.

It impacts us emotionally as well, which most people don’t know... such as rejection dysphoria — extreme sensitivity to being criticized to where our brains self destruct. Our brains don’t regulate emotions well.

ADHDers - do not fall victim to how everyone else operates and call yourself a failure. We have to work twice as hard and the results actually come out brilliant especially with our determination and imaginative ideas that are also seen in autistic individuals, honorable mention!

There’s good days and bad days. There’s literal changes in thinking that other people do not experience. We all collectively know wouldn’t be who we are without ADHD, but we all recognize the challenges. However, it makes me happy to see messages like this so that I can make a difference and hopefully help one person with ADHD, especially of color, at a time stop being so hard on themselves. 💗

#answered #mental health #adhd #actuallyadhd #studyblr #save

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namethat-i-oughttohavetoldyou · 3 years ago

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Oot the Windae

A little dose of Skimbledots for @lina-voltaire! This doesn’t really follow a particular storyline, but it could be after Bustopher Jones’ return to the junkyard, if you squint. Anyway. Enjoy! My love to all who read/like/reblog! ♥

“Oh my. Again?”

“I’m afraid so.”

Jennyanydots tutted and eyed the cotton vest in her paws. A ripped-off brass button had left a hole near the collar, the button hanging on by merely a thread. Before Jennyanydots could put it aside for later, the thread gave up the ghost and the button rolled across the salon, out the door and down the stairs to the cellar.

Skimbleshanks next to her blinked slowly. Then he laughed. “Oh, I’m really getting on with age, aren’t I? A few years ago, I would have caught that little bugger before it’d hit the floor!”

Jennyanydots snickered, pulling out the sewing kit to darn the hole. “I say! Did you expend your bottomless energy at work? The kittens will be dreadfully disappointed if you won’t go over later and sing with them, dear.”

“Can’t have that, can we?” Skimbleshanks jovially groomed his whiskers. “Although I sure that Mistoffelees has them plenty entertained, I will go and visit them for a few hours, of course. Wouldn’t want them to worry, after all.”

“Such devotion,” Jennyanydots hummed teasingly, rustling around the sewing kit for a needle and thread.

“You know me.”

“I do. Kindly come over here and tell me which yarn fits best with your vest, would you, dear?”

Skimble did so, though not without giving Jennyanydots a cheeky little kiss on her brow.

“Charmer.”

Skimble’s purr was drowned out by Jenny’s own, undulating in time with her movements and both of their breaths.

As Skimble began to groom her ears and muzzle with soft, gentle strokes of his tongue to not divert her attention too much, lest she prick her paw, Jenny threaded the needle and began to darn the hole.

“Shall I get the-”

“No no, stay here. The mice are due for their singing lesson soon, I’ll tell them to take the button with them.”

“Ulterior motives, hm?”

“Not at all, dear,” Jenny lied, her content purr picking up a notch when Skimble proceeded to groom her scruff and back. She had to quickly put her needlework aside to gently bump her head against Skimble’s flank, one ear pressing against it to listen to him purr.

A slight breeze wafted in through the open window, late-afternoon heat dissolving into airy warmth as it hit their fur. The urge to stretch out on the window sill and be lazy was great and overpowering.

“Will this take much longer, my dearest?”

“It will, if you keep distracting me.”

More words needn’t have been spoken; Jennyanydots put Skimbleshanks’ vest aside and stuck the needle into the lumpy pincushion that Etcetera had gifted her last Christmas, then they jumped up onto the window sill and made themselves comfortable.

Smooth jazz crackled from the neighbour’s radio, and Jenny kneaded the sun-warmed bricks under her paws and sighed as Skimble loafed next to her and rested his chin on her back.

“Reckon Bustopher will save some curry for us?” he asked, eyes closing and nose twitching, taking in the scents of grilling families and unfortunate Pollicles being washed in backyards by happily shrieking children.

“He better be – I lent him some laundry starch for his spats the other day. My, you should have seen how muddy they were!”

Skimble gave an amused huff, but didn’t comment further.

As the sun was momentarily blocked by a fluffy white cloud, Skimble moved out of his loaf and stretched out fully on the sill, his long, lanky hind legs almost hanging off the edge. Jenny sat up and used the time to groom the parts of his fur that were usually covered by the vest, sighing internally at the hairballs that would certainly follow later in the day. The things one did for love…

“Hah.”

Skimble opened one eye. “Hm?”

“They do brush you at the station, don’t they?”

“Ah-”

“Don’t try it. I know how to differentiate between a brushed and a neglected coat. You should be ashamed, always talking so badly of your co-workers,” Jenny scolded in-between strokes of her tongue. No hairballs, after all. “You scoundrel. What did you roll yourself in after your shifts to mess up your fur?”

Skimble cleared his throat, tail curling around a dangling hind leg with embarrassment. “Coal, maybe. But can you blame me? I’d never get as much attention from you otherwise.”

He nudged their noses together at that last sentence, so she knew that he was teasing. His words still didn’t sit quite right with her, weighing heavily as if the window sill was sitting on Jennyanydots, and not the other way round.

“Is that why your buttons keep going missing?”

“Oh, no. That’s really just wear and tear. And the passengers… well, and the passengers’ children.”

Jenny frowned, a big, gloomy frown that really suited neither her nor the sunny day. “Have I been neglecting you, dear?”

“Perhaps a little,” Skimble hummed, touching his nose to hers again and trilling. “But you more than make up for it in the moments we have for ourselves. In a way, I’m neglecting you just as much by being away so often.”

“Oh, look at us,” Jenny sighed, resting her head on Skimble’s shoulder. “We’ve become those ever-complaining crumbs we’ve always laughed about when we were young! Soon we’ll start to mourn the good old times and grouse about missed opportunities…”

“Pah! Yer bum’s oot the windae,” Skimble huffed. “Let’s instead think about how happy we are and what we accomplished, despite any circumstances and missed opportunities and such. And just between us,” he bumped his head against Jenny’s and kissed her brow, “I can’t think of anything I might have missed in my life.”

Jenny smiled and began to purr again. “Charmer.”

“You know me.”

“I do. And you’re right. I couldn’t think of anything, either.”

Skimbleshanks chirped contently, stretching back out and positioning his tail just so that it hung off the window frame leading inside to keep cool. “Hm. Thought so.”

Jenny went on to groom his left flank, nipping his skin from time to time to tickle him.

“Cut it out, hen,” Skimble grumbled, only to be interrupted by his own frequent giggling. “Oh, the good old times when you were too busy darning holes to make holes in my sides with your teeth…”

Jennyanydots laughed her wheezy teapot laugh and threw her head back. Skimble’s eyes, which shone as if she was the sun that warmed their coats, went unseen in that moment, but she could feel them on her like the gentle touch of a friendly paw.

“Behave. The state of that vest of yours depends on my benevolence.”

“No doubt,” Skimble said cheerfully, yawning demonstratively and flopping over to his other side, almost throwing Jenny off the sill.

The mice’s singing lesson had to be delayed; Jennyanydots was sure to show Skimbleshanks the Railway Cat exactly what was necessary for her to regain her benevolence. If it involved getting to hear all his stories and songs first – the kittens would never know. The good old times had made very good secret keepers out of them.

I looked up Scottish slang for this, and man, that was a wild ride! “Yer bum’s oot the windae” means “You’re not making any sense” and “hen” means “woman”. Thank you for reading! :)

#namethat-i writes #jennyanydots #skimbleshanks #skimbledots #cats the musical

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selfwriting-sugarquills · 4 years ago

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70 Fred Weasley headcanons in celebration of 700 followers:

(plus an extra one, for the heck of it lmao)

You guys, thank you so much for 700 followers! I appreciate every single one of you and writing for the twins has been such a blast so far, much to the thanks of all of you <3

Find the 70 George Headcanons: Here

Fred has always been really good at sleight of hand stuff, as a kid, he could do card tricks with ease, steal baked goods from his mother’s kitchen and later on since his allowance wasn’t exactly anything to brag about, he’d steal sweets from honeydukes' on Hogsmeade trips, with the help of George, he’s not proud of it but in his defence, he was a stupid teenage boy at the time.

Fred is incredibly competitive and will hold onto anything you challenge him to for way longer than you might think. He’s definitely the type to “race you” anytime you’re headed to herbology, care against magical creatures or Hogsmeade together.

As the man himself said in the deathly hallows, Fred doesn’t like the idea of a big grandiose wedding ceremony, he’d prefer something more low-key and simple, where the focus is more on having fun and celebrating instead of neat seating plans and meticulously chosen decorations. Some flowers and booze will do, he’ll provide the fireworks - In essence, he only needs his S/O and the rest he couldn’t care less about.

George may be better at cooking, but Fred makes a damn good pancake and he will forever pride himself on that.

Fred is the more jealous, overprotective twin. He’s aware of this and tries his best not to let it go to his head but he can’t help it.

Fred snores, I’m pretty sure it’s canon that both twins snore, but Fred is louder and, as mentioned in my last headcanon post, a very heavy sleeper meaning it’s more difficult to get him to wake up so he can stop, your best shot is trying (and probably failing) to turn him over.

Fred is also a very restless sleeper, he’ll toss and turn, and occasionally dream about quidditch. I’m saying you might want to be aware that he might confuse you for a bludger in his sleep, don’t worry though, he’ll always apologise profusely and make it up to you with a lot of kisses (and maybe a bit more than that, if you’re keen ;))

Fred has an extensive caffeine addiction, which is unfortunate cause he’s quite hyper already but he can’t function properly until he gets his coffee in the morning, and then again in between lessons/at lunch and then again late in the afternoon. Sometimes, if he needed to write an essay that was due, he’d drink coffee at like nine pm. He knows he won’t be able to sleep because of it, please, Y/n, he’s accepted his fate.

I personally always imagined the twins as having ADHD, idk why it just fits their characters. Fred is for sure the more outwardly fidgety and intrusive, this gets less and less with age, as it does for a lot of ADHD people, his inability to focus remains the same though.

Fred loves being outside, he’s the first of the Weasley siblings to suggest a game of quidditch or just going outside for walks, hide and seek in the woods near their house. He absolutely loves taking his dates on walks in parks or at the beach and when he has kids he plays with them in their yard, building snowmen etc.

Fred probably suggests at some point that the whole family should go camping, and he’s actually really fun to camp with. He’ll tell the best scary stories by the campfire.

In regards to children, Fred wants a lot of kids. Like at least three but would be willing to have more if his s/o wants to. He just really likes the dynamic of a large family since that’s what he’s used to.

Fred’s favourite flavour of sweets is anything sour, the sourer the better, because of this he can handle it really well and he loves handing people some of his ridiculously sour candy and watching them squirm.

He also really likes spicy food, he’s a bit of a daredevil so don’t challenge him to eat anything because he will eat a whole chilli and nearly die.

You know he’d be really casual about it too, lol, like sweating and crying but just leaning on the counter like “*pant* what? hot? no not at all *deeeeep breath* I can ha-aw-rdly taste it!”

One thing about Fred is that he’s oddly squeamish, like seeing his brother’s ear blown off isn’t so bad (if you don’t take into account the emotional trauma that is), but a needle for a blood sample or a vaccine? oooh, he’s gonna need a big juice box and a cookie and his s/o’s hand to hold if he’s gonna make it through. He also has a thing about leeches. One time at Hogwarts they were mentioned in a lesson and he thought he was going to faint the entire time.

Fred’s broken five bones over the years, four are from quidditch: his left arm and two ribs, and then the other arm from trying to do an elaborate stunt on the stairs in the burrow and falling down two flights.

Fred loves to sing karaoke (because I cannot get that damn clip of James singing karaoke out of my head) though he particularly enjoys doing a very poor job on purpose.

Fred is such a good liar that on several occasions he’s given presentations in school and gotten good marks for them despite having bullshat his way through the entire thing.

Like seriously, he’s that guy in the group project who only looks at the slides like five minutes before the presentation and then just turns on a full charming newscaster voice on the professor to the point of them being genuinely convinced (albeit a little confused) that what Fred’s saying is true.

This is also why Fred loves playing card games like poker: he’s really good at bluffing.

Speaking of poker-face, he’s really quite good at teasing in public (if you’re into that sort of thing *wink*) because no matter the dirty deeds he might get up to under a table, his face remains as regular as always (safe for a little smirk to his lover every now and then)

Fred always wanted to learn an instrument, he thought it’d make him cooler when he was a teenager, as an adult, he just really wants to recreate that clip of the trombone-playing dad with the sunglasses, or maybe serenade some cows with jazz or something.

Fred was never a big fan of the uniform thing, so he always tried to make it his own, whether that be tying the tie differently, or having his sleeves rolled up; it’s not much but you gotta take what you can get when you’re literally dressed the same as everyone else.

Fred might make fun of his dad’s interest in muggle things but secretly he loves it too. He has spent a lot of hours in the shed with Arthur, assuring everyone that it was just to have some quality time with his dad but he would still pay close attention when Arthur explained things to him.

Fred had a whole business of selling candy from Honeydukes’ and joke products from Zonko’s to second and first years before he and George started dabbling with their own products, he could get you a butterbeer too but it’ll cost you an extra three galleons.

Fred really likes glitter, George has a thing for lace, anything that glitters on his s/o makes Fred weak. If you want to get your way just put on some glittery eyeshadow or lipgloss and watch him spin.

Since he loves things that glitter and gleam he loves buying his s/o jewellery, he loves seeing them wearing them as little tokens of their relationship.

Did someone say slight possession kink? oops not me

Fred is incredible with numbers, this is pretty much canon and has been explored but I’m just amazed at this boy’s wit AND intellect. I have a slight headcanon that if he ever goes on a proper first date with someone where a bill is involved, he impresses his date by calculating the tip after just a glance.

Even if Fred has a longstanding reputation of not caring about school, when he has kids he does want to help them with any coursework over the summer and Christmas breaks, he’ll even study up on his old books just to be able to help out in any classes he didn’t take/didn’t pay attention in.

Fred would, in general, be an amazing father. He’s goofy and playful most of the time, though he’s serious and incredibly caring whenever his kids are in a bad mood or have problems. He knows that he’s not the most outwardly emotional of the twins but he makes sure his kids know they can always talk to him about anything.

Fred is incredibly messy. His room is usually a cry for help and he only cleans it when it gets to the point where it distracts him from focusing on work.

No worries though, his S/O doesn’t have to do all the housework for him, he’ll do it. He just needs to be reminded that he needs to every once in a while.

Fred has a really bad temper, he doesn’t know where he gets it from but he tends to get angry easier than George, though Fred is better at letting it out so it doesn’t continue to bother him.

His bad temper does mean that he used to brawl more with siblings as a kid, and it wasn’t unusual to see him with scrapes and bruises as a kid, much to Molly’s dismay. Fred didn’t mind though, he thought it made him look tough.

Fred is more likely to get caught sneaking around because of his brash nature, he tends to forget just how quiet you have to be to avoid Mrs Norris in the corridors.

Fred is certainly not an early bird but his favourite time of day is, in fact, the morning when the sun’s coming up. He only knows this because of Wood’s ridiculously early quidditch practices but there’s something about the way the world looks when it’s bathed in soft golden light that just hits different to Fred.

Fred is a great team player, as much as he seems like he’s more selfish than George, if it’s regarding a team activity (like quidditch or a battle of sorts) he’ll completely lose all focus on himself and only try to ensure other’s safety and victory. This is also why he plays as a beater, he’s not afraid of getting hit at all when he’s focused on getting the bludgers away from his teammates.

So if his s/o ever needs it, he’ll be there to help with anything: Needs to take a day off from work to take care of his sick s/o? no problem. Needs to stay up with his small child because his s/o is exhausted and needs rest? On it. Something as small as carrying groceries or books, making a cup of tea when the other is busy or doing the dishes is all on the list of things that Fred will happily do for his s/o, and often without having to be asked, he’ll just do it.

Fred’s boggart is seeing his family members and/or his s/o hurt beyond what he can save. Essentially his worst fear is being helpless when he needs it most.

One of those times was when George lost his ear. The first night when George was lying practically unconscious on the couch with blood everywhere was the worst night of Fred’s life, he truly felt so anxious and helpless and angry that he vomited and ended up passing out next to the couch after staying up till sunrise watching his brother like a hawk.

He didn’t just sleepwalk when he was younger, he also often experienced nightmares, it’s only George, Molly and Arthur who remembers anything about this.

They got less and less the older he got and he assumed that he’d never be bothered by them again until after the second wizarding war and the battle of Hogwarts.

I don’t like to headcanon that he dies cause he didn’t and that’s final lol. I do, however, headcanon that Fred still gets hurt, since everyone in the explosion beside him seemed to sustain minor injuries, I just think that to even out with George losing his ear, he hurts his leg and needs a lot of retraining/a walking stick. I think that’d be a more fair/unfair ending for Fred who’s always full of energy having to have to adjust to living slowly for a little while (not permanently, I couldn’t do that to my boy).

The boy has anxiety sometimes, ok. (just let me project for a second)

He didn’t know how much tension he usually holds in his body until he drank alcohol for the first time and felt his entire body loosen up and was like “huh this is new.”

He doesn’t use alcohol to deal with it though, he prefers just talking to George about whenever he feels is stressing him out and that helps. A massage from his s/o to loosen him up doesn’t hurt either.

Fred prefers to talk to his dad about his problems more than he prefers to talk to Molly, generally.

His favourite body parts on his s/o: Shoulders, hips, hands.

He loves to kiss, just in general, but he also loves kissing his s/o’s nose, forehead, neck, shoulder, etc. as little gestures of affection.

He def. has a bit of a size kink, he loves being taller than his s/o.

If Fred could have any pet he wanted, he’d probably want a dog, the bigger the better. He doesn’t think he has the time for a pet though.

It was his idea to start breeding pygmy puffs, it’s the closest he’ll get to having a pet.

I don’t know why but I feel like when Fred and his s/o are expecting and his s/o goes into labour he just panics. loses it, drops the binkie as we say in Denmark: Freaks the fuck out, if you will. He’s definitely the pacing and wringing his hands together type, though he probably tries his best to keep himself composed and chill during the whole thing whilst simultaneously hyperventilating.

Fred doesn’t cry often but he sure as hell wept with pride when he held all his kids for the first time.

Despite the notion that the twins often slip in a joke version of a sweet treat or something similar amongst the snacks at parties, Fred is strongly against tampering with drinks. He knows the connotations it holds and he doesn’t want anyone to be afraid they’d put something in it. If he wants you to test out their truth serum or a love potion, he’ll just ask you flat out and if you don’t want to, he’s not going to continue asking.

Most of the detentions Fred has gotten from Snape come from times he’s spoken back to him when Snape’s been giving another student a rough time. He doesn’t regret it one bit.

If you ask Fred what his proudest accomplishment is, he’ll probably say that it’s having had enough restraint to not punch Umbridge in the face every time he saw her.

On the note of Umbridge. It wasn’t her detentions with him that got his blood boiling, it was when she punished little kids (a la Nigel) for doing practically nothing, he understands that to an extent and by comparison, setting off a bunch of fireworks inside a building would harbour a harsher punishment, but making twelve-year-olds bleed for running in the halls or playing music or just doing things that twelve-year-olds will inevitably do, is something Fred doesn’t understand. That year pretty much any kid younger than him, or anyone who was too afraid to stand up for themselves, became Fred and George’s little siblings, and they’re very protective older brothers. Umbridge can vouch for that.

He struggles with a lot of insecurity in his relationships, he always puts on a front of being extra funny and outgoing when he’s in a new relationship because he’s secretly afraid that the way he is isn’t good enough and that eventually, his s/o will see through him and leave because they don’t like the softer, more serious side of him.

Fred is the godfather of all of George’s kids but is also the godparent of Hugo, Lily and Lucy.

Fred loves business meetings, he sees them as a good challenge to practice his smooth talk.

Fred spent his first salary from the shop on the most expensive bottle of champagne he could find and a new suit.

Fred tried to get into whiskey, feeling like it’d make him a cool business owner type of man, so, with his second salary, he went out and bought a fancy-schmancy bottle of whiskey and the whole getup with a bottle and some cool glasses, and then invited Lee over to try it with him and George.

They did not like it. Fred thought it tasted like what he imagined gasoline tastes like so they mostly used it as decorations, not having the heart to mix it with something.

Fred doesn’t necessarily like PDA, it depends on what you mean. He likes being secretive. Pulling his s/o into an empty classroom, nook, hallway, secret pathway etc where anyone could wander in at any time and snogging her senseless is one of his favourite things to do.

Fred knows how good he looks in his quidditch uniform and will absolutely use it against his s/o. (they’re gonna get spicy from here on so read with caution if you're in public)

Fred prefers giving more than receiving oral.

He has a lot of energy, did you not think that would rub off (no pun intended) on his sex drive? He can go pretty much any time and place, and typically last at least two rounds.

Also, his favourite position is having you on top. Okay, I'm gonna stop now.

#selfwriting-sugarquills 700 follower celebration #fred weasley #fred weasley x reader #fred weasley headcanons #fred weasley fanfiction #weasley twins #weasley twins headcanons #hp headcanon #harry potter headcanon

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five-rivers · 4 years ago

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Snow and Song Chapter 5

About five seconds after Danny registered the huge crowd of people gathered in the park (and why were they there? Had there been some kind of event he forgot about?), it began to snow. Danny looked around himself in alarm. He was often insensitive to temperature changes (and a few other things, according to his sister), but it wasn’t nearly cold enough snow. It was September.

He looked up. There weren’t even any clouds.

A snowflake, perfect and crystalline, stuck to his eyelash.

Alright. When something weird and unnatural started to happen in Amity Park, usually there was a ghost involved. All Danny had to do was find the ghost causing it to… snow…

Oh. Right. He was a ghost that could make snow.

He was an idiot. He hadn’t even noticed his core activating. His cheeks flushed with cold. This was so embarrassing.

Wincing, he looked back down at the crowd. Only about a tenth of the people had phones in their hands, winking camera lenses pointed up at him, but that was more than enough. He felt entirely too visible.

… Which he could fix because he was a ghost, darn it, something that he kept forgetting about tonight. Berating himself, he adjusted his visibility down to zero and flew away.

Almost at once, all the birds took off, the sound of wings obscuring whatever the humans down below were saying.

Danny didn’t stop until he got home, trailing snow all the while. He was not looking forward to tomorrow, but for tonight, maybe, he could forget what had happened.

He went human, phased off his clothes, laid down on his bed, closed his eyes, and started to-

“Maddie!” shouted Jack. “The ghost-kid is on TV again! He’s in the park!”

“Oh, good! Go start up the GAV! This time, we’ll catch him! I’ll be with you in a minute!”

Danny let out the breath he had been holding since his dad startled him from his doze in a long sigh. He resigned himself to being woken up at least once more that night.

The first rays of sunlight filtering through Danny’s window brought with them something that would have chilled Danny to the core if his core weren’t naturally frosty.

Music.

He peeled his eyes open slowly, grudgingly, because it was still September, and sunrise was still quite a bit before the time he had to get up in the morning. Hoping he was hallucinating, he trudged over to the window and pulled back the curtains.

Ah, yes. He hadn’t quite expected to find a bunch of cultists standing outside his house with a boombox, playing back a rather scratchy version of Tale as Old as Time, but, somehow, he was unsurprised to do so. What exactly were they attempting to accomplish here?

One of the younger (about six years old) cultists waved up at him. Resigned, Danny waved back, then let the curtain fall back down.

He rubbed his eyes. Normal teenagers didn’t have to deal with cults that worshiped them as a god. Even that dude from Nazareth was a full adult before he got hit with the heavy stuff.

(Yeah, because it wasn’t at all a sign of megalomania, mental instability, or good old-fashioned insanity to compare himself to that guy.)

(He didn’t want a cult, darn it.)

What did they want, anyway?

He got dressed and started downstairs. To his horror (but again, not surprise) he heard more music emanating from the kitchen.

“What are you guys doing?” Danny asked.

“Oh, morning, Danno!” boomed Jack.

“Shh, shh,” said Maddie. “We need to go over that last part again. There are pancakes on the stove, sweetie.”

“Oh,” said Danny. “Thanks. But, really, what are you doing?”

“Analyzing the sound patterns of Phantom’s voice!” said Jack. “We missed it before, but he must have a low-level mind control power! Just like that Rockstar ghost!”

“Sneaky post-human ectoplasm glob,” muttered Maddie. “That’s how he’s got so many people on his side. He’s brainwashing them. But don’t worry, sweetie. As soon as we figure out how he’s doing it, we’ll be working on a cure!”

“Well,” said Danny, trying not to sound bitter. They had made him pancakes. “That’s news to me.”

Danny stepped out of the house and sighed in the general direction of the cult.

As always, acknowledging them in any way shape or form proved to be a mistake. They rushed at him.

“Daniel Fenton,” intoned today’s leader, a man wearing robes colored in an approximation of Phantom’s suit. His beard was… interesting.

“What?” asked Danny. If only there was a way to skip through awkward conversations like this, like there was in video games. But, no, life was like one, huge, un-skippable cutscene. Tragic.

“Last night, our Lord Phantom gave us a message. A message, and a divine task.”

Danny was pretty sure he’d remember that. “What task?” he asked, resigned.

“To spread his word through song! And you, his prophet, his chosen, his blessed consort, shall reveal his intent upon the stage of the Casper High School Musical!”

“I’m begging you, call it anything but that.”

“We will do anything to make the Casper High School Musical go well! We are at your command!”

“Please stop picketing my house and harassing me on the way to school.”

“We have fine members of our choir here to audition for you! Please take word of their worthiness to our Lord Phantom.”

Several of the cultists began to sing.

“Danny!” called Jazz from the driveway. “Stop feeding the cultists, or we’re going to be late for school!”

“So,” said Sam. “The Ghost Watch feed blew up last night.”

“I know,” said Danny. “I feel so stupid.”

“Hey, it’s fine,” said Tucker. “But we really do have to put some time aside to test whether or not you really do have a pied piper ability.”

“I made it snow while I was singing,” said Danny.

“Ah. We’ll have to look into that, too,” said Tucker, making a note on his PDA. “Who wants to bet that the ‘Phan Club’ will try to incorporate last nights performance into the play somehow?”

“That’s not funny,” said Danny, closing his locker. “Guys, what if I accidently mind control the audience? Or start a snowstorm inside? The cultists are already on top of this. They were outside my house this morning.”

“Again?” said Sam, raising an eyebrow.

“Yes, again.”

“What did they want?”

“They seem to think that there’s going to be some kind of revelation in the play,” said Danny. He caught the look in Sam’s eye. “Sam. No.”

“Sam, yes.”

“Cults are not a toy,” cautioned Danny.

“Not the way you’re using them, they aren’t.”

“Seriously, Sam. No matter how much you want to change the world, do not use a cult to do it. It never goes well.”

“Christianity started off as a cult.”

“And would you say that went well? I’m asking you this as a Christian.”

“Are you a Christian?” asked Tucker. “I’ve never seen you in a church. Can you go in a church? Have we tested that?”

“I—What? I’m not a demon, Tucker. I went to church, uh… Last Easter. I can totally go in a church.”

“You had to think of that for an awfully long time.”

“What about a synagogue?” asked Sam. “Or a mosque?”

“I don’t know. But you’d think that if I could go into a church, that’d mean I could go into the other ones.”

“But what if you couldn’t?” asked Sam. “Would that mean that religion is more right than the others?”

“Or more wrong,” said Tucker, “since Danny is a good guy.”

“I—” started Danny.

“PHANTOM!” screamed Wes from down the hall, interrupting whatever revelation Danny could potentially have had.

“Oh, great,” said Danny. “I’m not Phantom, Weston!”

“Kids,” said Miss Lyn, poking her head into the hallway. “Please don’t shout in the halls. Class is about to start.”

“I have proof, this time!” crowed Wes. “I have video.”

“Oh, no,” said Danny, with perfectly flat affect. “Are you here to harass me with yet another badly photoshopped, grainy, vertically filmed, twenty-second clip of me ‘transforming’ into Phantom like some kind of anime heroine?”

Wes reared back, face coloring and nostrils flaring.

Danny would feel worse about what he had said, if half the videos in Wes’s last ‘Fenton is Phantom’ presentation hadn’t been exactly that. Tucker had made several of them and stealthily dropped them in various chat rooms for Wes to find, as something halfway between a joke and an exercise in misdirection.

As soon as Wes had included one of those in his presentation, it was doomed to be a laughingstock. Again, Danny almost felt bad.

“No!” said Wes. He puffed his chest out. “From Ghost Watch!”

“Uh huh.”

“I kind of feel like we’d be hearing about it from more than just you,” said Sam.

“Yeah,” agreed Tucker. “If the news decided Danny was Phantom’s dead twin or whatever, you’d think some of his groupies would be swarming.” He pointed at a pair of Phan Club members who were having a sedate conversation near the water fountain. “Where are the groupies, Wes?”

“Did you not learn your lesson from the beauty pageant?” asked Sam. “Or Egypt?”

“I don’t know, didn’t you learn yours from Desiree?”

“Who’s learning what from Desiree? Because you should ask her for a better naming sense. I mean, you just copied. Lame.”

“You’re talking to me about copying? You vegans are the copiers! Vegetable burgers, tofurkey, where does it end?”

“With the abolition of the cruelty of MEAT!”

At this point, most people would have started edging away from Sam and Tucker’s patented and infamous meat vs. veggies argument. However, Wes had long since proven himself to be of sterner stuff, and Danny wanted to hear what he was on about.

“Guys,” he said, “guys, it’s not working. He’s still here.”

Sam and Tucker turned back towards Wes. “Bummer,” said Sam.

“Yeah, Wes, why do you have to be such a bummer?” asked Tucker.

“Let him speak,” said Danny, magnanimously, twirling his hand.

Wes glowered. “Well, now I don’t want to,” he said, mulishly.

“Come on, Wes, what’s the video, don’t leave us in suspense!”

Wes attempted to glower harder but failed. Grudgingly, he held up his phone, which did, indeed, play a video from Ghost Watch. Danny watched himself singing for several long seconds before returning his gaze to Wes.

“I’m not sure what this is supposed to prove.”

“The song, you idiot! It’s from Beauty and the Beast! And I know the drama club gave you that music.”

“A movie that thousands of thousands of people have watched and know the music for?”

“That doesn’t matter! You’re the only one who has any reason to sing it.”

“You mean, other than everyone else in the drama club?” asked Sam, bored.

“Or anyone who likes Disney?” said Tucker.

Wes opened his mouth to make some kind of riposte.

The warning bell rang.

He closed his mouth. “I’m watching you, Fenton!”

“You and everyone else,” muttered Danny as Wes retreated down the hallway, pointing at him.

Why was everyone around him so ridiculous?

“We’re doing Snow White, not Beauty and the Beast!” howled Razor, baring his teeth at the hapless Phan Club member that had suggested adding ‘Tale as Old as Time’ to the song list.

“If you guys had taken that bet, I’d have so much money right now,” said Tucker.

“Students, please,” said Mr. Lancer. “We can’t have any actual copyrighted music in our play. Not without paying for it. And I’m not negotiating with Disney.” He looked into the distance. “Not again. Never again.”

Danny did not want to know the story behind that, but nevertheless, he had to ask… “Are you okay, Mr. Lancer?”

“I’m fine, Mr. Fenton,” said Mr. Lancer. “Thank you for asking. In any case, my lovely drama students! Today, we are going to do our first round of auditions!”

“But, sir, we haven’t finished the script, yet!” protested Mikey.

“Right you are!” said Mr. Lancer. “But I have found that things go more smoothly when we have people already in the main roles. There’s less… outright sabotage and script jockeying.”

“What does that even mean?” whispered Samhain (aka Kevin) loudly.

“People trying to change the script to fit a certain person so that person gets the role,” said Paulina. “Or exclude a certain person. Which I would never do, Mr. Lancer.”

The covetous glare shot in Danny’s direction indicated that Paulina’s words might have been less than truthful.

Mr. Lancer chuckled. “I didn’t think you would, Miss Sanchez!” He began writing on his whiteboard. “Now, we already have our Prince Snow White, our Princess Charming, and our Evil Queen.” He nodded at Paulina as he wrote the roles on the board. “Now, we need our seven dwarves—”

“Ghosts!”

“Excuse me, yes, ghosts. Thank you, Mr. Baxter. Our Huntsman—”

“Or woman!”

“Yes, thank you, Miss Thunder,” said Mr. Lancer. “Huntsman, or Huntswoman. And… Let’s see… Snow White’s parents, for the prologue, Princess Charming’s retinue, and… I think that’s it. Alright, let’s start with the ghosts.”

“Shouldn’t they have names?” asked Mia.

“Well, sure,” said Mr. Lancer. “But we can’t use the Disney names. You’ll have to come up with your own.”

“Phantom!” screamed Paulina.

“Here we go,” said Danny, burying his head in his hands.

“You want to bet that we’re going to wind up with your whole rogue’s gallery?” asked Tucker.

“If you need money, Tucker,” said Sam, “you just have to ask. Rates on my loans are very reasonable.”

“Isn’t usury against your religion?” asked Tucker.

“Nope,” said Sam. “Not at all.”

“I am incredibly against this development,” said Danny. “The cults are going to have a field day.”

“Ember! Ember! Ember!” Chanted the punk goth crowd, which had split off from the larger goth subgroup.

“I am somehow even more against this development,” muttered Danny. “Mr. Lancer! I don’t think it’s a good idea to include a ghost who gets power from people saying her name!”

“Shut up, Fentonnage, what do you know about ghosts?”

“My parents study them. I know a lot. More than I ever even—”

Danny narrowly dodged the workbook Dash flung at him.

“Mr. Baxter!” scolded Mr. Lancer.

Sadly, when everything shook out, Danny did not get his way. One of the seven ghosts was named Ember and was going to be played by Star. Because why not?

“At least the Box Ghost and the Lunch Lady aren’t on the list,” said Sam.

“But ‘Hamlet, father of Hamlet,’ is,” said Danny. “Why does that bother me more than Ember?”

“Because you hate Shakespeare?”

“No, I don’t,” protested Danny. “Shakespeare is a perfectly nice person. I just don’t like how his writing is taught in schools.”

“You’re going to break Mr. Lancer’s heart saying stuff like that,” said Tucker.

“He wrote love poems to boys. Why do they skim over that?”

“Excellent point, Mr. Fenton!” exclaimed Mr. Lancer, who had somehow materialized behind them. “Shakespeare was definitely bisexual. I wi—” The teacher stopped. “Nope, can’t use that word. It would be nice if the state let me teach it like that. Along with the crossdressing. School board won’t let me.” He shook his head. “Dale Baxter. Someday, someday he’ll lose an election. Eventually.” He took a deep breath. “Next time we meet, we’ll be doing auditions, okay? I want you all to think about what parts you would like! And, Miss Gray, I’d like to have a word with you about your role in our production, alright?”

#Danny Phantom #snow and song #fic #my fic #phanfic

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meetmeatthecoda · 3 years ago

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do u have any music-related headcanons for lizzington? like yes their tastes but also,, their talents? instruments of the past present or future, perfect pitch, an ear for certain things, anything? love to hear your thoughts :)

Ohhhhh anon 🥰🥰🥰 I don't think I've ever been asked this before (despite what I do for a living lol) & I am ever so grateful to you for asking me about my favorite thing in the entire world... Lizzington-ified LOL 🎶 (I'm also so flattered that you'd love to hear my thoughts on this at all, you are so very sweet ❤️) This also brings to mind my idea for part 5 of Facets, but I'm not quite ready to reveal details on that yet 😉 I shall list some musical headcanons below...

Red's favorite genre of music is jazz but he also loves the classics of his time like Billy Joel & The Beatles. He also enjoys classical concerts bc he can appreciate anything done with skill. He prefers to listen to his music via record player bc he feels it sounds the best. (This is mostly about James lmfao)

Liz loves the same classics that Red does - bc Sam raised her on them - but she also likes to listen to fun pop music on the radio & she occasionally enjoys some club music from her more wild college days.

Red learned piano & how to read music when he was young & was quite good at both. It's something he still enjoys doing when he has the opportunity & time. However, the pleasure is a bit tainted for him, since he used to play piano with Jennifer & play to help her practice her ballet routines.

Liz never learned an instrument - she was more interested in sports - but she was in choir for a few years & has a good singing voice. She has a little speaker in the shower that she also enjoys singing along to when she can take her time - & Red enjoys listening as well & sometimes he joins her for a duet.

Red has near perfect pitch, something that was evident in his childhood piano lessons. He can identify a note played on the piano without looking & can play songs by ear after hearing them once or twice. It's a talent he hardly ever uses but Liz finds fascinating.

Liz doesn't have perfect pitch but she can pretty easily parrot back a melody she hears, thanks to her early choir training. She's mostly good at detecting subtle pitch & tempo changes in people's speech patterns, something that developed from her intuitive nature & psychological training that helps her tell if someone is lying.

Bonus: Red & Liz also both love dancing to music, no matter what style or genre (although the tango both vertical & horizontal tee hee is a particular favorite of theirs) as long as they're having fun together & can hold each other 🥲

Well, there you go, anon, that's what I came up with based on your wonderful ask, thank you so much again, this was so fun!! 🥰 I hope you enjoyed this & much, much love to you, my friend!! ❤️

#The Blacklist #Lizzington #thoughts #headcanons #mine #ask #anon #what a blessed ask #thank you so much anon #:')#i hope you like them!!#much love to you!!#<3

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mysterystarz · 3 years ago

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did you really think I was gonna say that and not give you akaashi headcanons? 🤨🤨

anyways some of these are general akaashi headcanons and some are romantic ones

☆ he's not the best at art, but he learned basic anatomy + sketching techniques just to create portraits of you

☆ he's really great at poetry and creative/descriptive writing though and writes about you and generally the way you make him feel

☆ once compared you to grass though 💀 but it turned out kinda nice because it was a metaphor for how even when people hurt you you always come back and you keep him (the dirt) from being washed away and stuff 🥺

☆ he has a good singing voice. I think he'd be a tenor, and his voice is good for jazz he can also play the piano really well (it's those long setter fingers 😩)

☆ he loves flowers and either has little potted ones around place or a small garden outside. you've caught him talking to the plants about you. all good things, of course. I think his favorites would be lillies (the white ones I think) but idk much about flowers

☆ he likes to get you jewelery (bruh how do you spell that???), especially engraved jewelery. sometimes it's got random dates on it and you have to ask him what happened that day, and he'll start telling you about something you thought was small but meant a lot to him that happened that day. usually it's a day when you two had a date and he felt it should be remembered.

☆ he really likes musicals. not as in he's a theatre kid (though he could be) but more like he loves the stories and how they're told through song and dance.

☆ he annotates his books. sometimes you'll borrow one from him to read and find he's underlined and written about things that made him think of you 😭

☆ he's very romantic but he doesn't necessarily try to be. he's also naturally very aesthetic.

☆ he can tap dance. I've literally been in tap dancer akaashi brainrot since I listened to "King of new york" from newsies 😭😭 and he's so HOT when he tap dances, he's really good at it but he hasn't practiced/done lessons in forever, so he's a little rusty. but he used to do competitions and stuff and was extremely good at the dance.

☆ I feel like although he doesn't really seem like one to do so, he uses reaction memes in texts somewhat often. not just the affectionate ones, but also the "😐" or aggressive ones (very hot of him to use reaction memes 😌)

☆ he collects mugs! he drinks coffee in the morning so he needed some mugs at first, but then he started getting one wherever he traveled to as a souvenir (and he doesn't travel too often, whether it's for vacation or business it's usually around every other year or something) and now he has a whole cupboard of mugs

☆ he also likes tea. and while i feel like he prefers his coffee somewhat bitter, he usually adds milk to his tea. I think he's also a big fan of boba tea, and his favorite (mine too) is milk tea (made with black tea) with brown sugar and boba

☆ his dream home is an industrial apartment (is that what it's called?) with a balcony or patio. he likes the city since he's from tokyo... I think. he'd love to live somewhere where the skies are clear and he can see the stars, but he's gotta live near the city for work 🥲 though some stars are visible, at least, from that patio

☆ he likes to wear rings. even though he's lowkey insecure about his fingers and rings would draw more attention to them, he likes to fidget with the accessories

☆ he's really good at braiding hair. he hasn't really practiced, he's just a natural. first time he braided your hair it looked really good and both of you were kinda shocked. he's pretty good at hair things in general, actually.

☆ loves holding hands. LOVES LOVES LOVES HOLDING HANDS.

☆ he really likes fuzzy blankets. whenever he's on the couch he's wrapped up in one.

☆ one of his favorite cuddle positions is with you sitting on his lap, curled up almost cat-like with your head on his chest and his arms wrapped around you. and a fuzzy blanket.

☆ he has really long, dark eyelashes and it's so pretty.

☆ he likes talking to you about his dreams and he likes hearing about yours.

☆ he's down to try anything with you. you want to try veganism? he'll join you. want to learn a language? so does he. want to get a tarot reading? what a coincidence, he was thinking the same thing!

☆ he has a little tattoo above his right ankle. it looks exactly like this ☆ and it remind him of you 🥺

have a great week ily nova 😊

OH MY GOODNESS JACK THIS MADE ME SMILE SO WIDE I HAVE RE READ THIS SO MANY TIMES THANK YOU THIS ACTUALLY MADE MY WEEK AJXJAJXNANDNWNDNSN 🥺🥺🥺🤩🤩😭🥰🥰😭😭😳🥺😩💕💕🤩🤩😩😩🥺😩😩😩🥺🥺🥺🥺🥺🥺🥺🥺😩💕💕💕💕💕💕💕💕💕💕 IT WAS ADORABLE

more of my reactions under the cut because yes

- thinking of keiji playing the piano always gets me so soft because i can think of his fingers pressing the keys and it just be so perfect (and i’ve thought of some other scenarios with pianos too it’s cute!!)

- the fact that i actually LOVE white lillies too theyre so pretty omg :00

- TAP DANCER KEIJI GOODNESS MY HEART TAP DANCING KEIJI INTRICATE FOOTWORK OH MY GOODNESS I — 😳

- WE CAN WRITE POETRY TOGETHER ILL KISS HIM TOO I LOVE THAT!!

- REACTIONMEMESREACTIONMEMESREACTIONMEMES HE IS SO SEXY ALREADY BUT HE JUST GOT SEXIER

- i’m also super sentimental so the engraved jewelry (wtf is that word) IS SO CUTE and i would love that <33 it’s so sweet to see the sentiments too!!

- HE ANNOTATES HIS BOOKS OFF OF ME MY HEART JUST WENT WHOOOOSH 💕💕😩😩🥺🥺

- NO WAY I COLLECT MUGS TOO IS THIS SOULMATE STUFF BECAUSE I LOVE COLLECTING MUGS

- I ALSO LIKE MY COFFEE BITTER BUT MY TEA SWEET-ISH OH MY GOODNESS?!?! THIS IS PERFECT!!!

- JACK HOW DID YOU KNOW I HAVE A THING FOR FUZZY BLANKETS HOW HOW BECAUSE CUDDLING WITH FUZZY BLANKETS OR JUST SITTING WITH ONE IS SOMETHING I DO OH MY GOODNESS 💕💕💕✨✨✨😩💕

- pretty voice 😳😳😳 yes he would and yes

- i think an industrial apartment with keiji would be so cute <33

- I WILL HOLD HANDS WITH HIM ANYTIME ANYTIME ANYTIME

- i would kiss his fingers when he’s wearing rings and when he’s not because i love him 🥰🥰🥰

- t-talks about our dreams and tries things with me?!? I LOVE HIM SO MUCH I CANNOT FUNCTION THATS MY MAN

- the fact that you literally think he would draw me 🥺🥺🥺🥺 MY HEART

- i would totally watch musicals with him <33 i like them too for the exact same reason actually (jack i’m not even kidding how scary it is that you got our personalities down perfectly it’s astounding)

- STAR TATTOO KEIJI OH MY GOODNESS I AM 😳😳😳 WOW OMG THAT IS SURPRISINGLY HOT OH MY — suddenly i want to match

in conclusion :: THANK YOU SO MUCH FOR THIS JACK IM STILL SMILING SO WIDE THANK YOU 🥰🥰🥰🥰🥰🥰🥰🥰

#cosmic mailbox #💌atsuvu #jack!#moots✨#keinova ❣️#THIS WILL GO ON MY MASTERLIST IT WILL #I LOVED THIS SO MUCH

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tonalartmusic · 4 days ago

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otherworldseekers · 4 years ago

Text

100 Romantic Lyric Prompts from my Jazz Playlist

Just something I decided to put together for fun and because I listen to too much Sinatra. I’m going to type these up in a prose format instead of a lyric format to save space and make it neater. These are intended for general inspiration so don’t let pronouns or exact wording hold you back!

1. I’ve got you deep in the heart of me. So deep in my heart that you’re really a part of me.

2. And that laugh that wrinkles your nose touches my foolish heart.

3. All summer long we sang a song and then we strolled that golden sand. Two sweethearts and the summer wind.

4. If the sandman brought me dreams of you, I’d want to sleep my whole life through.

5. So I’m the guy who turned out a lover. Yes, I’m the guy who laughed at those blue diamond rings. Just one of those things.

6. Unrequited love’s a bore, and I’ve got it pretty bad. But for someone you adore it’s a pleasure to be sad.

7. I know I stand in line until you think you have the time to spend an evening with me.

8. If you want the moon I’ll bring the moon right down to you. Baby, what else can I do?

9. If they ask me, I could write a book. About the way you walk and whisper and look.

10. Call me irresponsible. Yes, I’m unreliable. But it’s undeniably true that I’m irresponsibly mad for you.

11. Do I want you? Oh my, do I.

12. I’d sacrifice anything, come what might, for the sake of having you near.

13. But I’ve got lots of plans for tomorrow and all my tomorrows belong to you.

14. I’ll never be the same. There is such an ache in my heart.

15. I’m through with flirting. It’s just you I’m thinking of.

16. How could I know about love? I didn’t know about you.

17. I know that I’ve never lived before and my heart is very sure. No one else could love you more.

18. Dawn is nearing, time is fleeting. Mind if I make love to you?

19. Are the stars out tonight? I don’t know if it’s cloudy or bright. Cause I only have eyes for you.

20. Oh, but you’re lovely with your smile so warm and your cheeks so soft.

21. I would work and slave the whole day through if I could hurry home to you.

22. What a fool I am, to think my breaking heart could fool the moon.

23. These things are dear to me, they seem to bring you near to me.

24. If there is some other way to prove that I love you, I swear I don’t know how.

25. And I seem to find the happiness I seek when we’re out together dancing cheek to cheek.

26. Once I get you up there, where the air is rarified, we’ll just glide. Starry-eyed.

27. But it wouldn’t be make believe if you believed in me.

28. And I am once again with you, when our love was new and each kiss an inspiration.

29. Just tea for two and two for tea. Just me for you and you for me alone.

30. You go to my head and you linger like a haunting refrain.

31. Birds do it. Bees do. Even educated fleas do it. Let’s do it, let’s fall in love.

32. Please remember I still want you and in case you wonder why...

33. With each word your tenderness grows, tearing my fear apart.

34. The kiss in your eyes, the touch of your hand makes me weak. And my heart may grow very dizzy and fall.

35. I saw them all. Just couldn’t fall til we met.

36. When an irresistible force, such as you, meets and old immovable object, like me...

37. Look at yourself. Do you still believe the rumor that romance is simply grand?

38. I never mind the rain from the sky if I can find the sun in your eyes.

39. My head keeps spinning. I go to sleep and keep grinning.

40. What are your charms for? What are my arms for? Use your imagination.

41. In other words, hold my hand. In other words, baby, kiss me.

42. Now my heart is music. Such a simple song, singing again, the notes never end. This is where I belong.

43. You know I can’t lie. If I say to you, ‘Baby, I love you.’ Then baby, I love you.

44. There are many, many crazy things that will keep me loving you.

45. I’m glad that I’m the one who found you. That’s why I’m always hanging around you.

46. Love is all that I can give to you. Love is more than just a game for two.

47. I saw you there one wonderful day. You took my heart and you threw it away.

48. You’d be so easy to love. So easy to idolize. All others, above.

49. Good things come to those who wait. So just relax and wait for fate.

50. My life will be in your keeping, waking, sleeping, laughing, weeping.

51. We’ve only tasted the wine, we’re gonna drain the cup dry.

52. In your arms, I know for once in my life, I’m living.

53. Don’t go nowhere. What do I care? Your kisses are worth waiting for, believe me.

54. Sometimes I love you, sometimes I hate you. But when I hate you, it’s cause I love you.

55. As long as I’ve got arms that cling at all, it’s you they’ll be clinging to.

56. I never knew the technique of kissing. I never knew the thrill I could get from your touch.

57. You won’t really fall in love cause you can’t take the chance. So be honest with yourself, don’t try to fake romance.

58. The Autumn wind, and the Winter winds, they have come and gone. And still the days, those lonely days, they go on and on.

59. If your heart, it never could yield to me. Then I’d rather have nothing at all.

60. For nobody else gave me a thrill. With all your faults, I love you still.

61. And then I go and spoil it all by saying something stupid like ‘I love you’.

62. When an irrepressible smile such as yours warms an old implacable heart such as mine...

63. I’ve forgotten you, just like I should. Of course I have.

64. The very thought of you and I forget to do the little ordinary things that everyone ought to do.

65. You went away and my heart when with you.

66. There’s a smile on my face for the whole human race. Why it’s almost like being in love.

67. If they made me a king, I’d be but a slave to you.

68. Sitting all day without holding my baby makes me so blue and sad.

69. How lucky can one guy be? I kissed her and she kissed me.

70. I’ll be holding you so near you may here all the angels cheer because we’re together.

71. But now that your lips are burning mine, I’m beginning to see the light.

72. So tell me, why should it be true that I get a kick out of you?

73. You are all I long for, worship and adore.

74. I got starlight, I got sweet dreams. I got my man, who could ask for anything more?

75. Better fish are in the sea, is not the theory for me.

76. If you’ll let me, I’ll endeavor to persuade you I’m your party for two.

77. So worth the yearning for, so swell to keep every home fire burning for.

78. Baby, don’t you know I love you so? Can’t you feel it when we touch?

79. And the simple secret of the plot is just to tell them that I love you, a lot.

80. Only you have that magic technique. When we sway, I grow weak.

81. You are here, so am I. Maybe millions of people go by. But they all disappear from view.

82. Well, I’m not too clever. I just adore you.

83. He’s a fool and don’t I know it. But a fool can have his charms.

84. There’s a somebody I’m longing to see. I hope that she turns out to be someone who’ll watch over me.

85. In a restless world, like this is, love is ended before it’s begun.

86. It’s very clear. Our love is here to stay, but forever and a day.

87. When you put your arms around me, I get a fever that’s so hard to bear.

88. Longer than always is a long, long time. But far beyond forever, you’ll be mine.

89. Then you came and caused a spark that’s a four alarm fire now.

90. Somewhere, somehow, someone’s gotta be kissed.

91. The cigarettes you light one after another won’t help you forget her and the way that you love her.

92. You’ll never know how slow the moments go till I’m near to you.

93. But when I saw you I knew, we got together like a wink and a smile.

94. Couldn’t sleep, wouldn’t sleep. When love came and told me I shouldn’t sleep.

95. We may never meet again on that bumpy road to love. Still, I’ll always, always keep the memory of...

96. I light up when you call my name and you know I’m gonna treat you right.

97. And the moment I can feel that you feel that way too, is when I fall in love with you.

98. She takes Winter and makes it Summer. And Summer could take some lessons from her.

99. Those fingers in my hair, that sly come-hither stare that strips my conscience bare... It’s Witchcraft.

100. That’s why, darling, it’s incredible that someone so unforgettable, thinks that I am unforgettable too.

#prompts #writing prompts #jazz music #lyrics #inspiration #romantic

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1962dude420-blog · 4 years ago

Photo

Today we remember the passing of Nina Simone who Died: April 21, 2003 in Carry-le-Rouet, France

Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), known professionally as Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.

The sixth of eight children born to a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition, which she attributed to racial discrimination. In 2003, just days before her death, the Institute awarded her an honorary degree.

To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to "Nina Simone" to disguise herself from family members, having chosen to play "the devil's music" or so-called "cocktail piano". She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist. She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She had a hit single in the United States in 1958 with "I Loves You, Porgy". Her musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.

The sixth of eight children in a poor family, she began playing piano at the age of three or four; the first song she learned was "God Be With You, Till We Meet Again". Demonstrating a talent with the piano, she performed at her local church. Her concert debut, a classical recital, was given when she was 12. Simone later said that during this performance, her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people. She said that she refused to play until her parents were moved back to the front, and that the incident contributed to her later involvement in the civil rights movement. Simone's mother, Mary Kate Waymon (née Irvin, November 20, 1901 – April 30, 2001), was a Methodist minister and a housemaid. Her father, Rev. John Devan Waymon (June 24, 1898 – October 23, 1972), was a handyman who at one time owned a dry-cleaning business, but also suffered bouts of ill health. Simone's music teacher helped establish a special fund to pay for her education. Subsequently, a local fund was set up to assist her continued education. With the help of this scholarship money, she was able to attend Allen High School for Girls in Asheville, North Carolina.

In order to fund her private lessons, Simone performed at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, New Jersey, whose owner insisted that she sing as well as play the piano, which increased her income to $90 a week. In 1954, she adopted the stage name "Nina Simone". "Nina", derived from niña, was a nickname given to her by a boyfriend named Chico, and "Simone" was taken from the French actress Simone Signoret, whom she had seen in the 1952 movie Casque d'Or. Knowing her mother would not approve of playing "the Devil's music", she used her new stage name to remain undetected. Simone's mixture of jazz, blues, and classical music in her performances at the bar earned her a small but loyal fan base.

After the success of Little Girl Blue, Simone signed a contract with Colpix Records and recorded a multitude of studio and live albums. Colpix relinquished all creative control to her, including the choice of material that would be recorded, in exchange for her signing the contract with them. After the release of her live album Nina Simone at Town Hall, Simone became a favorite performer in Greenwich Village. By this time, Simone performed pop music only to make money to continue her classical music studies, and was indifferent about having a recording contract. She kept this attitude toward the record industry for most of her career.

Simone married a New York police detective, Andrew Stroud, in December, 1961. In few years he became her manager and the father of her daughter Lisa, but later he abused Simone psychologically and physically.

In 1964, Simone changed record distributors from Colpix, an American company, to the Dutch Philips Records, which meant a change in the content of her recordings. She had always included songs in her repertoire that drew on her African-American heritage, such as "Brown Baby" by Oscar Brown and "Zungo" by Michael Olatunji on her album Nina at the Village Gate in 1962. On her debut album for Philips, Nina Simone in Concert (1964), for the first time she addressed racial inequality in the United States in the song "Mississippi Goddam". This was her response to the June 12, 1963, murder of Medgar Evers and the September 15, 1963, bombing of the 16th Street Baptist Church in Birmingham, Alabama, that killed four young black girls and partly blinded a fifth. She said that the song was "like throwing ten bullets back at them", becoming one of many other protest songs written by Simone. The song was released as a single, and it was boycotted in some southern states. Promotional copies were smashed by a Carolina radio station and returned to Philips. She later recalled how "Mississippi Goddam" was her "first civil rights song" and that the song came to her "in a rush of fury, hatred and determination". The song challenged the belief that race relations could change gradually and called for more immediate developments: "me and my people are just about due". It was a key moment in her path to Civil Rights activism. "Old Jim Crow", on the same album, addressed the Jim Crow laws. After "Mississippi Goddam", a civil rights message was the norm in Simone's recordings and became part of her concerts. As her political activism rose, the rate of release of her music slowed.

Simone performed and spoke at civil rights meetings, such as at the Selma to Montgomery marches. Like Malcolm X, her neighbor in Mount Vernon, New York, she supported black nationalism and advocated violent revolution rather than Martin Luther King Jr.'s non-violent approach. She hoped that African Americans could use armed combat to form a separate state, though she wrote in her autobiography that she and her family regarded all races as equal.

In 1967, Simone moved from Philips to RCA Victor. She sang "Backlash Blues" written by her friend, Harlem Renaissance leader Langston Hughes, on her first RCA album, Nina Simone Sings the Blues (1967). On Silk & Soul (1967), she recorded Billy Taylor's "I Wish I Knew How It Would Feel to Be Free" and "Turning Point". The album 'Nuff Said! (1968) contained live recordings from the Westbury Music Fair of April 7, 1968, three days after the assassination of Martin Luther King Jr. She dedicated the performance to him and sang "Why? (The King of Love Is Dead)", a song written by her bass player, Gene Taylor. In 1969, she performed at the Harlem Cultural Festival in Harlem's Mount Morris Park.

Simone and Weldon Irvine turned the unfinished play To Be Young, Gifted and Black by Lorraine Hansberry into a civil rights song of the same name. She credited her friend Hansberry with cultivating her social and political consciousness. She performed the song live on the album Black Gold (1970). A studio recording was released as a single, and renditions of the song have been recorded by Aretha Franklin (on her 1972 album Young, Gifted and Black) and Donny Hathaway. When reflecting on this period, she wrote in her autobiography, "I felt more alive then than I feel now because I was needed, and I could sing something to help my people".

In an interview for Jet magazine, Simone stated that her controversial song "Mississippi Goddam" harmed her career. She claimed that the music industry punished her by boycotting her records. Hurt and disappointed, Simone left the US in September 1970, flying to Barbados and expecting her husband and manager (Andrew Stroud) to communicate with her when she had to perform again. However, Stroud interpreted Simone's sudden disappearance, and the fact that she had left behind her wedding ring, as an indication of her desire for a divorce. As her manager, Stroud was in charge of Simone's income.

In 1993, she settled near Aix-en-Provence in southern France (Bouches-du-Rhône). In the same year, her final album, A Single Woman, was released. She variously contended that she married or had a love affair with a Tunisian around this time, but that their relationship ended because, "His family didn't want him to move to France, and France didn't want him because he's a North African." During a 1998 performance in Newark, she announced, "If you're going to come see me again, you've got to come to France, because I am not coming back." She suffered from breast cancer for several years before she died in her sleep at her home in Carry-le-Rouet (Bouches-du-Rhône), on April 21, 2003. Her funeral service was attended by singers Miriam Makeba and Patti LaBelle, poet Sonia Sanchez, actors Ossie Davis and Ruby Dee, and hundreds of others. Simone's ashes were scattered in several African countries. She is survived by her daughter, Lisa Celeste Stroud, an actress and singer, who took the stage name Simone, and who has appeared on Broadway in Aida.

#april 21 #2003 #r.i.p.#nina simone

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kathyprior4200 · 4 years ago

Text

Alastor Playlist and Soundtrack

https://www.youtube.com/watch?v=SVGNjWPGVbA&list=PLWFYZb-mcJq3iLDvWh9xpnBNBVkDhXh-w

So many people have wondered what Alastor’s human life could’ve been like. There have been fan art, stories and several animations of Alastor when he was a radio host and serial killer. But surely there could be more clues as to what also occurred.

In fact there are, and they could very well be right in front of your eyes…or should I say, your ears.

Behold an official Alastor playlist.

Yes, Vivziepop herself made a playlist for Alastor a while back.

AlBirdVampPrince on YouTube thankfully provided it before it was lost to the web. When I listened to the cheery old time jazz intermingled with the catchy beats, I was instantly teleported into another time. For several moments, I was immersed in Alastor’s world, watching him dance with flapper ladies, exploring the woods, playing a variety of instruments, and yes, his radio show and murders as well. I couldn’t help but grin from ear to ear listening to the songs.

These songs shed a brand new light on a beloved popular character in Hazbin Hotel. Music is a central theme for the show and the personalities of the characters. Just look at Charlie and Alastor. Sometimes, all it takes is music and a song to delve into a character’s head.

Here is a list of sixteen songs that were shown on the list.

1 “Annie: You’re Never Fully Dressed Without A Smile”

Ah yes, the all-too familiar song from the classic Annie musical in 1982. The song is by Peter Marshall. The song was played during the Iodent toothpaste commercial scene. Mr. Warbucks goes on the radio and offers 50,000 dollars to anyone who claimed to be Annie’s parents. The orphan girls later sing it as they listen to the radio. The meaning of the song: no matter how you dress or what social class you come from, happiness is what makes people stand out. The song has been used in many remakes of Annie such as the 1999 and 2014 versions.

This song would be Alastor’s favorite. He even quoted it in the show, saying to Vaggie, “Smile my dear! You know you’re never fully dressed without one!” It is evident that Vivziepop enjoys Annie and many other musicals, hence all the references in the show and her art.

Ever since then, lyrics and music have been used in dozens of fan art and projects. Gabriel C. Brown, the singing voice of Alastor, even did a cover of the song on YouTube. Often times, the lyrics are displayed whenever Alastor’s mother is drawn. A popular theory suggests that Alastor’s mother told him that he was never fully dressed without a smile, as a way of cheering him up during tough times.

In Kathy Prior 42’s Human Alastor backstory, this song would be played as the intro song as fans immediately associate this song with Alastor. Alastor plays this song after every broadcast, the song that keeps him going every day. It would also appear in the ending credits. Alastor’s Creole mother Antoinette Moreau encourages a young Alastor to smile and stand tall when she sings this to him. For Alastor, it’s not just a fun song…it’s something that helps remind him of his mother and what his purpose is.

Lyrics:

(spoken) This is Bert Healy saying…

(singing)

Hey, Hobo Man

Hey Dapper Dan

You’ve both got your style

But brother

You’re never fully dressed

Without a smile

Your clothes may be Beau Brummelly

They stand out a mile

But brother

You’re never fully dressed

Without a smile

Who cares what they’re wearing

On Main Street

Or Saville Row

It’s what you wear from ear to ear

And not from head to toe

That matters

So, Senator

So, Janitor

So long for a while

Remember,

You’re never fully dressed

Without a smile

(Boylan sister)

Ready or not, here he goes

Listen to Bert

Tap his smilin’ toes

(Healy)

(spoken) Ah the lovely Boylan Sisters

(Boylan Sisters)

Doo doodle-oo doo

Doo doo doo doo

Your clothes may be Beau Brummelly

They stand out a mile

But brother

You’re never fully dressed without an

(Connie): S

(Bonnie): M

(Ronnie): I

(Connie): L

(All three): E. Smile darn ya smile.

2 “Smile”

Here we have another song about smiling, but this one has a different tone than the previous one. This song was originally sung by Nat King Cole, charted in 1954, composed by Charlie Chaplin. “Smile’ was used as a soundtrack in the 1936 movie “Modern Times.”

Lyrics of this song are shown on old Alastor Zoophobia art by Vivziepop. The art shows an old version of Alastor wearing a black suit doing a magic trick and singing the first few lines of the song.

In Kathy Prior 42’s Human Alastor backstory, Alastor’s mother sings this song to him after he deals with both bullying from his classmates and the constant abuse from his father. It is a song to remind him that smiling is a sign of strength to get through the hard times. Alastor is stunned to find that his mother smiles through the hits and bruises that his father gives her. Even daily discrimination at work doesn’t stop her from doing it. Alastor takes this lesson to heart and makes it into a life-long habit...even after death. Though he smiles all the time, the burden of hiding his feelings inside is only evident to him. In addition, Alastor sings a lament of this song after his mother’s death via the Spanish Flu and Mimzy’s accidental death by poisoning. The song gives out mixed messages: for while it helped Alastor remain confident throughout his life and afterlife, it also conforms to the masculinity message of “boys and men don’t cry.” Sadness is a natural human emotion and there are times when it cannot be repressed.

Lyrics:

Smile, through your heart is aching

Smile, even though it’s breaking

When there are clouds in the sky

You’ll get by…

If you smile

Through your fear and sorrow

Smile and maybe tomorrow

You’ll see the sun come shining through for you

Light up your face with gladness

Hide every trace of sadness

Although a tear may ever be so near

That’s the time you must keep on trying

Smile, what’s the use of crying

You’ll find that life is worthwhile

If you just smile

That’s the time you must keep on trying

Smile, what’s the use of crying

You’ll find that life is worthwhile

If you just smile

3 “Let’s Misbehave”

Anyone else notice the title on one of the Hazbin Hotel thumbnails of Alastor in static? Yes, it is an actual song. The song was written by Cole Porter in 1927. It was a 1928 hit for Irving Aaronson and his Commanders and has been used in several films.

In “Smiling Man” by MuseValentine, a human Alastor says “Let’s misbehave” to a human Charlie before they make love behind Lucifer’s back.

In Kathy Prior 42’s Alastor Human backstory, Alastor was born in 1896, thus in 1928, he is in his early thirties. Alastor and Mimzy get into trouble, they cuddle in a hotel room and almost have sex. Alastor holds back because he doesn’t want to get intimate with anyone, much to her disbelief and sadness. This was before her death. Alastor berates himself for being so careless and begins to question his own sexuality, (which is perceived as abnormal by society and everyone else).

Lyrics:

We’re all alone

No chaperone

Can get our number

The world’s in slumber

Let’s misbehave

There’s something wild

About you, child

That’s so contagious

Let’s be outrageous

Let’s misbehave

When Adam won Eve’s hand

He wouldn’t stand

For teasin’

He didn’t care about

Those apples out of season

They say the spring

Means just one thing

To little lovebirds

We’re not above birds

Let’s misbehave

If you’d be just so sweet

And only meet

Your fate, dear

‘Twould be the great

Event of nineteen twenty eight

Dear!

Let’s misbehave

Let’s misbehave!

4 “You Rascal You”

This song was sung by Cab Calloway in 1931, published in 1929. The lyrics take the form of threats leveled against a man who runs off with the singer’s wife, after the singer was kind to him.

Alastor’s Human backstory has a couple scenes for this song. The first scene is when Alastor finds out that his father had been sleeping with other women behind his mother’s back. Alastor had tried to reason with his father, but he eventually snapped. Alastor has angry thoughts about killing his father, which he eventually does.

The second scene is less prominent. Although Alastor was not in love with Mimzy, he got possessive when other men tried to flirt with her. One racist horny man goes off with Mimzy leaving Alastor by himself. His good friend had been taken from him, after Alastor had been kind to both of them. So what does he do? Hunts down the man and kills him, of course.

Lyrics:

You sure is a rascal

I’ll be glad when you dead, you rascal you!

When you dead in your grave

No more women will you crave

I’ll be glad when you dead, you rascal you!

I trust you in my home, you rascal you

I trust you in my home

You wouldn’t leave my wife alone

I’ll be glad when you dead, you rascal you!

I fed you since last fall, you rascal you

I fed you since last fall

Then you got your ashes hauled

I’ll be glad when you dead, you rascal you!

You asked my wife to wash your clothes, you rascal you

You asked my wife to wash your clothes

And something else I suppose

I’ll be glad when you dead, you rascal you!

You know you done me wrong, you rascal you

You know you done me wrong

You done stole my wife and gone

I’ll be glad when you dead, you rascal you!

You asked my wife for a meal, you rascal you

You asked my wife for a meal

And something else you tried to steal

I’ll be glad when you dead, you rascal you!

Please don’t let me find you, rascal you

Please don’t let me find you

‘Cause you’ll leave this world behind you

I’ll be glad when you dead, you rascal you!

Ain’t no use to run, you rascal you

Aint no use to run

I done bought a Gatling gun

And you’re still having your fun, you rascal you!

I’m gonna kill you just for fun, you rascal you!

I’m gonna kill you just for fun

The buzzards gonna have you when I’m done

I’ll be glad when you dead, you rascal you!

You done messed with my wife, you rascal you

You done messed with my wife

And I’m gonna take your life

I’ll be glad when you dead, you rascal you!

5 “I ain’t gonna tell nobody”

This song was made in 1923 by Richard M. Jones. King Oliver and his Creole Jazz band recorded it in 1923…it was likely one of the many songs that Alastor heard and enjoyed. One of the songs that inspired him to be a jazz band leader.

6 “The Charleston”

Ah the Charleston, the popular dance style from the 1920s. The dance used in so many fanfictions and art with Alastor and Charlie in it. And the inspiration for the “Charlastor” shipping name for Alastor and Charlie in the fandom. “The Charleston” was by James P. Johnson and it was in the 1923 Broadway show Runnin’ Wild. A melody of it was made by Arthur Gibbs.

In Alastor’s human backstory, Alastor dances the Charleston with Mimzy in 1923 during the Roaring 20s at the peak of his life and career. He later dances with Charlie at the Hazbin Hotel in Hell.

Lyrics:

Carolina, Carolina, at last they’ve got you on the map,

With a new tune, funny blue tune, with a peculiar snap!

You may not be able to buck or wing

Foxtrot, two-step, or even sing

If you’ve not got religion in your feet

You can do this prance and do it neat

Charleston! Charleston! Made in Carolina!

Some dance, some prance,

I’ll say there’s nothing finer than the

Charleston, Charleston, gee how you can shuffle

Every step you do leads to something new

Man, I’m telling you, it’s a lapazoo!

Buck dance, wing dance will be a back number,

But the Charleston, the new Charleston,

That dance is surely a corner

Sometime, you’ll dance it one time,

That dance called Charleston,

Made in South Caroline!

7 “Runnin’ Wild”

The song is by Duke Ellington, and was made in 1922.

In Alastor’s human backstory, this song that Alastor sings describes the fun care-free moments that Alastor had in his youth. The events included feeding alligators in the bayou, exploring the woods, seeing animals and being outside.

The second scene with this song is in 1922 when Alastor gets tired of Mimzy being clingy. Alastor doesn’t love anyone in a romantic way…he had lost the one person he loved many years ago. Due to past trauma, he puts on a persona but doesn’t trust people enough to let them in fully into his life. Not wanting to meet her expectations of being a perfect man, Alastor longs to be himself and be free again. Alastor and Mimzy try to reconcile at a bar, only for her to die later on. Alastor kills people to vent his frustrations. The song is a reflection of Alastor becoming a villain.

Lyrics:

My gal and I, we had a fight

And I’m all by myself

I guess she thinks now that she’s gone

I’ll lay right on the shelf

I’m gonna show her she’s all wrong

No lonesome stuff for me

I won’t sit home, all alone

She’ll soon find that I’m

Runnin’ wild, lost control

Runnin’ wild, mighty bold

Feelin’ gay, reckless too

Care free mind all the time, never blue

Always goin’ don’t know where

Always showin’ I don’t care

Don’t love nobody, it’s not worth while

All alone, runnin’ wild. Runnin’ wild.

When I first met that gal of mine

It seemed just like a dream

But when she thought she had me right

She started acting mean

Like Mary led her little lamb

She led me all the time

Until the worm had to turn

That’s the reason I’m

Runnin’ wild, lost control

Runnin’ wild, mighty bold

Feelin’ gay, reckless too

Care free mind all the time, never blue

Always goin’ don’t know where

Always showin’ I don’t care

Don’t love nobody, it’s not worth while

All alone, runnin’ wild. Runnin’ wild.

No gal will ever make a fool of me

No gal! I mean just what I say

I ain’t the simpleton I used to be

Wonder how I got that way

Once I was full of sentiment, it’s true

But now I got a cruel heart

With all that other foolishness, I’m through

Gonna play the villain part

Runnin’ wild, lost control

Runnin’ wild, mighty bold

Feelin’ gay, reckless too

Care free mind all the time, never blue

Always goin’ don’t know where

Always showin’ I don’t care

Don’t love nobody, it’s not worth while

All alone, runnin’ wild. Runnin’ wild.

8 “I’m Sitting on Top of the World”

A song by Al Jonson in 1928. Alastor would sing this song as he talks about his new rich life as a radio host. He likes the money but he also likes Mimzy and other women.

Lyrics:

I'm sitting on top of the world, I'm rolling along, I'm rolling along. I'm quitting the blues of the world, Just singing a song, Just singing a song. Glory hallelujah, i just phoned the parson, Hey, par, get ready to call.' Just like humpty dumpty, I'm going to fall. I'm sitting on top of the world, Just rolling along, Just rolling along.' Some people have diamonds And beautiful pearls, While others have children, Just kiddies with curls. Keep all of your fortunes, Keep all of your fame, I just found a sweetie Who's changing her name. : I'm sitting on top of the world, Just rolling along, Just rolling along. I'm quitting the blues of the world, Just singing a song, Just singing a song. Glory hallelujah, i just phoned the parson, Hey, par, get ready to call.' Just like humpty dumpty, I'm going to fall. I'm sitting on top of the world, Just rolling along, Just rolling along.' Don't want any millions, I'm getting my share. I've only got one suit, That's all i can wear. A bundle of money won't make you feel gay. A sweet little honey is making me say: I'm sitting on top of the world, Just rolling along, Just rolling along. I'm quitting the blues of the world, Just singing a song, Just singing a song. Glory hallelujah, i just phoned the parson, Hey, par, get ready to call.' Just like humpty dumpty, I'm going to fall. I'm sitting on top of the world, Just rolling along, Just rolling along.

9 “Criminal” (American Horror Story)

This song might reference Alastor’s general life as a criminal...or perhaps Mimzy’s dark thoughts regarding her feelings for Alastor.

Lyrics:

I've been a bad, bad girl I've been careless with a delicate man And its a sad, sad world When a girl will break a boy Just because she can Oh, help me But don't tell me to deny it I've got to cleanse myself of all these lies 'Till I'm good enough for him I got a lot to lose, and I'm bettin' high So I'm beggin' you: Before it ends, just tell me where to begin Ooh, What I need is a good defense 'Cause I'm feelin' like a criminal And I need to redeemed To the one I've sinned against Because he's all I ever knew of love Yeah, What I need is a good defense 'Cause I'm feelin' like a criminal And I need to redeemed To the one I've sinned against Because he's all I ever knew of love

10 “Blood” (My Chemical Romance)

Yes. Vivziepop adores My Chemical Romance. It is obvious from the many MCR songs that she provides to her characters. (“Sing” for Charlie, “Na Na Na” for Cherri Bomb, “Mama” for Angel Dust, etc.) This one called “Blood” undeniably relates to Alastor’s murder and cannibalism activities. (Let’s face it, Vivzie loves musicals so much, Hazbin Hotel is one giant musical, with nearly every character knowing how to sing and play a variety of instruments! Hazbin Logic.)

Lyrics:

Well they encourage your complete cooperation Send you roses when they think you need to smile I can't control myself because I don't know how, And they love me for it honestly, I'll be here for a while

So give them blood, blood, gallons of the stuff Give them all that they can drink and it will never be enough So give them blood, blood, blood Grab a glass because there's going to be a flood

A celebrated man amongst the gurneys They can fix me proper with a bit of luck The doctors and the nurses they adore me so, But it's really quite alarming cause I'm such an awful fuck (oh thank you)

I gave you blood, blood, gallons of the stuff, I gave you all that you can drink and it has never been enough I gave you blood, blood, blood, I'm the kind of human wreckage that you love

11 “Doctor Jazz”

“Doctor Jazz” was made written by Joe King Oliver in 1926 and recorded by Jelly Roll Morton.

This is one of many songs that Alastor sings in his backstory. This song plays when Alastor loses himself in the blissful moments playing trumpets, saxophones and singing onstage. Music and jazz helped Alastor out during hard times of discrimination and him witnessing police brutality against African Americans and disadvantaged individuals. In music, Alastor felt safe, confident, invincible.

Lyrics:

Everybody gets the blues now and then, and don’t know what to do

I’ve had it happen many times to me before and so have you

But those days have gone and past, I found out what to do at last

When I feel down and out, you will hear me shout:

Hello central, give me Doctor Jazz

He’s got what I need, I’ll say he has

When the world goes wrong and I’ve got the blues

He’s the guy who makes me put on both my dancin’ shoes

The more I get, the more I want it soon

I see Doctor Jazz in all my dreams

When I’m in trouble, bounds are mixed

He’s the guy who gets me fixed

Hello central, give me Doctor Jazz

12 “Main Title and Anatomy of a Murder”

The song comes from a 1959 courtroom drama film by Duke Ellington. This song gives off a “sneaky, spy” like vibe, a tension of “who done it,” in the music. This track would play during the mention of the mysterious “Louisiana Lunatic” in the newspapers, plus Alastor’s broadcasts of all the deaths he caused.

13 “God Moves On The Water”

This song is by Billie Willie Johnson in 1929. This song describes the sinking of the Titanic in 1912 (the year of Baxter’s death). It was an event that Alastor wasn’t involved in, but presumably found entertaining like the 1929 Stock Market Crash.

This song could relate to the many hurricane disasters that went on in Alastor’s life in Louisiana but was lucky enough to survive in. The song could also reference the distress and helplessness that people of color, women and other minority groups felt in the clutches of a dominant white society.

Lyrics:

Ah, Lord, ah, Lord Year of nineteen hundred and twelve, April the fourteenth day Great Titanic struck an iceberg, people had to run and pray God moves, moves, God moves, ah, and the people had to run and pray The guards who had been a-watching, asleep 'cause they were tired When they heard the great excitement, then a gunshot was fired God moves, moves, God moves, ah, and the people had to run and pray

Captain Smith gave orders, women and children first Many of the lifeboats piled right up, many were liable to crush God moves on, God moves, God moves, ah, and the people had to run and pray

So many had to leave their happy home, all that they possess Lord Jesus, will you hear us now, help us in our distress God moves, God moves, God moves, ah, people had to run and pray Women had to leave their loving ones, see 'bout their safety When they heard the liner was doomed, hearts did almost break God moves, God moves, God moves, ah, and the people had to run and pray A.G. Smith, mighty man, built a boat that he couldn't understand Named it a name of God in a tin, without a "c", Lord, he pulled it in God moves, ah, God moves, God moves, ah, and the people had to run and pray Well Ah, ah, Lord

14 “Minnie the Moocher”

“Minnie the Moocher” by Cao Calloway is a vocalizing catchy song about a beautiful woman named Minnie. This song could possibly relate to rumors about Mimzy and her famous wealthy life.

Lyrics:

Folks, here's a story 'bout Minnie the Moocher She was a red-hot hoochie-coocher She was the roughest, toughest frail But Minnie had a heart as big as a whale

Hi-dee hi-dee hi-dee hi (hi-dee hi-dee hi-dee hi) Whoa-a-a-a-ah (whoa-a-a-a-ah) Hee-dee-hee-dee-hee-dee-hee (hee-dee-hee-dee-hee-dee-hee) He-e-e-e-e-e-e-y (he-e-e-e-e-e-e-y)

She messed around with a bloke named Smokey She loved him though was cokey He took her down to Chinatown And he showed her how to kick the gong around

Hi-dee hi-dee hi-dee hi (hi-dee hi-dee hi-dee hi) Whoa-a-a-a-ah (whoa-a-a-a-ah) He-e-e-e-e-e-e-y (he-e-e-e-e-e-e-y) Oh-oh-oh-oh (oh-oh-oh-oh)

She had a dream about the King of Sweden He gave her things that she was needin' He gave her a home built of gold and steel A diamond car with a p-la-ti-num wheel

Hi-dee hi-dee hi-dee hi (hi-dee hi-dee hi-dee hi) Ho-dee-ho-dee-ho-dee ho (ho-dee-ho-dee-ho-dee ho) Skip-de-diddly-skip-de-diddly-diddly-oh (skip-de-diddly-skip-de-diddly-diddly-oh) Bour'rrigy-bour'rrigy-bour'rrigy-oh (bour'rrigy-bour'rrigy-bour'rrigy-oh)

He gave her his townhouse and his racing horses Each meal she ate was a dozen courses She had a million dollars worth of nickels and dimes She sat around and counted them all a million times

Hi-dee hi-dee hi-dee hi (hi-dee hi-dee hi-dee hi) Whoa-a-a-a-ah (whoa-a-a-a-ah) He-e-e-e-e-e-e-y (he-e-e-e-e-e-e-y) Whoa-a-a-a-ah (whoa-a-a-a-ah)

Poor Min, poor Min, poor Min

15 “Crazy Rhythm”

This song was made by Whispering Jack Smith in 1928.

Perhaps this song is a reference to Alastor having to put aside his free music playing time at the cost of being a famous radio host. Although, Alastor had risen to fame, his former innocence had been lost.

Lyrics:

I feel like the Emperor Nero when Rome was a very hot town

Father Knickerbocker, forgive me, I play while your city burns down

Through all its night I fiddle away

It’s not the right life but think of the pay

Someday I will bid it goodbye, I’ll put my fiddle away and I’ll say

Crazy rhythm here’s the doorway

I’ll go my way, you’ll go your way

Crazy rhythm from now on we’re through

Here is where we have a showdown

I’m too high-hat, you’re too low-down

Crazy rhythm here’s goodbye to you

They say that when a high-brow meets a low-brow walking along Broadway

Soon the high-brow has no brow

Ain’t it a shame, and you’re to blame

What’s the use of Prohibition (banning alcohol)

You produce the same condition

Crazy rhythm I’ve gone crazy too

Every Greek and each Latin, the Russians and Prussians as well

When they seek the lure of

Manhattan, are sure to come under your spell

Their native folksongs they soon throw away

Those harlem smoke songs they soon learn to play

Can’t you fall for Carnegie Hall

Oh Danny, call it a day and we’ll say

Crazy rhythm here’s the doorway

I’ll go my way, you’ll go your way

Crazy rhythm from now on we’re through

Here is where we have a showdown

I’m too high-hat, you’re too low-down

Crazy rhythm here’s goodbye to you

They say that when a high-brow meets a low-brow walking along Broadway

Soon the high-brow has no brow

Ain’t it a shame, and you’re to blame

What’s the use of Prohibition (banning alcohol)

You produce the same condition

Crazy rhythm I’ve gone crazy too

16 “My Shiny Teeth and Me”

Another smile song, by Nate Wants To Battle, this one about how a guy admires his shiny teeth. A reference to Alastor’s self-centered ego. In sheer irony, Alastor has yellow teeth in Hell. Deer man needs to brush his teeth!

Lyrics:

When I'm feelin' lonely - sad as I can be.. All by my self in an uncharted island in an endless sea.. What makes me happy, fills me up with glee: Those bones in my jaw that don't have a flaw. My shiny teeth and me. My shiny teeth that twinkle just like the stars in space, My shiny teeth that sparkle addin' beauty to my face, My shiny teeth that glisten just like a Christmas tree. You know they'll walk a mile just to see me smile... Woo! My shiny teeth and me! Yes they're all so perfect; so white and pearly. Brush, gargle, rinse - A couple breath mints... My shiny teeth and me! My shiny teeth so awesome, just like your favorite song. My shiny teeth I floss em' so they grow to be real strong. My shiny teeth I love them and they all love me, Why should I talk to you when I got 32! Woo! My shiny teeth and me, My shiny teeth and me! My shiny teeth that twinkle just like the stars in space, My shiny teeth that sparkle addin' beauty to my face, My shiny teeth that glisten just like a Christmas tree. You know they'll walk a mile just to see me smile... Woo! My shiny teeth and me. My shiny teeth and me. My shiny teeth and me!

17 “The Radio Demon”

An official soundtrack in the pilot episode. The circus music that turns dark with organs playing. It plays when Vaggie tells of how Alastor got into power. This song plays after Alastor’s death and during the ending credits in the backstory. It serves as a transition to Alastor arriving in Hell, the next act in the character arc.

#alastor #hazbinhotel #vivziepop

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